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The Stone Age
Jen Hadfield’s new collection is an astonished beholding of the wild landscape of her Shetland home, a tale of hard-won speech, and the balm of the silence it rides upon. The Stone Age builds steadily to a powerful and visionary panpsychism: in Hadfield’s telling, everything – gate and wall, flower and rain, shore and sea, the standing stones whose presences charge the land – has a living consciousness, one which can be engaged with as a personal encounter. The Stone Age is a timely reminder that our neurodiversity is a gift: we do not all see the world the world in the same way, and Hadfield’s lyric line and unashamedly high-stakes wordplay provide nothing less than a portal into a different kind of being. The Stone Age is the work of a singular artist at the height of her powers – one which dramatically extends and enriches the range of our shared experience.
Nigh-no-place
Jen Hadfield began this book on the hoof, travelling across Canada with an appetite for new landscapes. However, it is in Shetland that she becomes acutely aware of her own voice - her fluency and tongue-tiedness, repetition, hiatus and breath. Hadfield is also the author of 'Almanacs'.
Places of Poetry
Presenting the best poems from the nationwide Places of Poetry project, selected from over 7,500 entries Poetry lives in the veins of Britain, its farms and moors, its motorways and waterways, highlands and beaches. This anthology brings together time-honoured classics with some of the best new writing collected across the nation, from great monuments to forgotten byways. Featuring new writing from Kayo Chingonyi, Gillian Clarke, Zaffar Kunial, Jo Bell and Jen Hadfield, Places of Poetry is a celebration of the strangeness and variety of our islands, their rich history and momentous present.
Byssus
Byssus is Jen Hadfield's third collection, and her first after the T.S. Eliot prize-winning Nigh-No-Place. Byssus - pronounced 'bissus', and meaning the mussel's 'beard', the tough fibres which anchor it to the seabed - is a book first and foremost about home, and what it takes to find and forge one: amongst friends, alert to mortality, to love and to landscape. Her language, strongly rooted in the common names she finds in the sea, shore and moor of her adopted Shetland, has already been widely admired for its startling originality. Here, through poems of astonishment and adoration, through charms and fables, and ultimately through a practice of attention and careful honouring - she shows how speech itself can be an act of home-making. Byssus is a profound consideration of just what it means to get to know a place.
This is Yarrow
The poems in Tara Bergin's accomplished debut collection combine sensuous, supple lyricism with the unsettling familiarity of folklore, fairytale and dream. They are inhabited by characters who seem at first widely different from one another, yet share nervous energy, a troubled state of mind: 'I am unwell, little crow, / I am unwell and far from home / where longing lives in my house'. In This is Yarrow Bergin gathers language from a wide range of sources and places to create a music and vision entirely her own.
Shine, Darling
A Poetry Book Society Recommendation Shortlisted for the Forward Prize for Best First Collection Shortlisted for the T. S. Eliot Prize for Poetry 'Fizzing with insistent energy . . . full of crystalline images and metaphors . . . Frears is excellent on sexual politics, the end of girlhood' Guardian Ella Frears's debut is a collection of wry, vivid poems whose power lies in their intimacy. They are as insistent as they are circumspect, drawing close to the reader's ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity - 'There was pain,' the speaker allows, 'but it was not new pain...
Loop of Jade
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
Significant Other
Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Shortlisted for the 2020 Seamus Heaney First Collection Prize Shortlisted for the 2020 John Pollard Foundation International Poetry Prize Shortlisted for The 2019 Forward (Felix Dennis) Prize for Best First Collection The Telegraph's Poetry Book of the Month March 2019 A Telegraph Book of the Year 2019 In her first book of poems, Isabel Galleymore takes a sustained look at the 'eight million differently constructed hearts' of species currently said to inhabit Earth. These are part of the significant other of her title; so too are the intimacies - loving, fraught, stalked by loss and extinction - that make up a life. The habit of f...
Almanacs
Jen Hadfield's Almanacs is concerned with lists, rules and archetypes and what they don't account for. It takes as its subjects the Tarot, the lore of Full Moons, weather myths and travellers' tales. The book's central poem, Lorelei's Lore, is a road movie in poems, set in the north of Scotland It's obsessed with yearning, like the two seas separated by the tip of Shetland 'metres apart/and desperate for each other. Lorelei's Lore wonders 'what's beautiful?' (tarmac? sheep carcasses? sunburn?) and 'where's your native home?'
The Beautiful Librarians
Each poem in Sean O'Brien's superb new collection opens on a wholly different room, vista or landscape, each drawn with the poet's increasingly refined sense of tone, history and rhetorical assurance. The Beautiful Librarians is a stock-taking of sorts, and a celebration of those unsung but central figures in our culture, often overlooked by both capital and official account. Here we find infantrymen, wrestlers, old lushes in the hotel bar - but none more heroic than the librarians of the title, those silent and silencing guardians of literature and knowledge who, the poet reminds us, also had lives of their own to be celebrated. Elsewhere we find a 12-bar blues sung by Ovid, a hymn to a grey rose, a writing course from hell, and a very French exercise in waiting. A book of terrific variety of theme and form, The Beautiful Librarians is another bravura performance from the most garlanded English poet of his generation.
