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In Blood at the Root, winner of the SUNY Press 2009 Dissertation/First Book Prize in African American Studies, Jennie Lightweis-Goff examines the centrality of lynching to American culture, focusing particularly on the ways in which literature, popular culture, and art have constructed the illusion of secrecy and obsolescence to conceal the memory of violence. Including critical study of writers and artists like Ida B. Wells-Barnett, Richard Wright, William Faulkner, George Schuyler, and Kara Walker, Lightweis-Goff also incorporates her personal experience in the form of a year-long travelogue of visits to lynching sites. Her research and travel move outside the American South and rural loca...
A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake—for creators and audiences alike—in revisiting the long history of American popular music.
Driven to the Field traces the culture of sharecropping—crucial to understanding life in the southern United States—from Emancipation to the twenty-first century. By reading dozens of works of literature in their historical context, David A. Davis demonstrates how sharecropping emerged, endured for a century, and continues to resonate in American culture. Following the end of slavery, sharecropping initially served as an expedient solution to a practical problem, but it quickly developed into an entrenched power structure situated between slavery and freedom that exploited the labor of Blacks and poor whites to produce agricultural commodities. Sharecropping was the economic linchpin in ...
In this book, Paul Mullins examines a wide variety of material objects and landscapes that induce anxiety, provoke unpleasantness, or simply revolt us. Bringing archaeological insight to subjects that are not usually associated with the discipline, he looks at the way the material world shapes how we imagine, express, and negotiate difficult historical experiences. Revolting Things delves into well-known examples of “dark heritage” ranging from Confederate monuments to the sites of racist violence. Mullins discusses the burials and gravesites of figures who committed abhorrent acts, locations that in many cases have been either effaced or dynamically politicized. The book also considers ...
This book analyzes six key narratives of Hurricane Katrina across literature, film and television from the literary fiction of Jesmyn Ward to the cinema of Spike Lee. It argues that these texts engage with the human tragedy and political fallout of the Katrina crisis while simultaneously responding to issues that have characterized the wider, George W. Bush era of American history; notably the aftermath of 9/11 and ensuing War on Terror. In doing so it recognizes important challenges to trauma studies as an interpretive framework, opening up a discussion of the overlaps between traumatic rupture and systemic or, “slow violence.”
The Scandal of White Complicity and US Hyper-incarceration is a groundbreaking exploration of the moral role of white people in the disproportionate incarceration of African-Americans and Latinos in the United States.
The "rogue," a term that described criminals, prostitutes, vagrants, beggars, and the unemployed, dominated the pages of early modern popular crime literature. Rogue Sexuality resituates the rogue by focusing on how their menace—and their seductive appeal—emerged not only from their social marginality, but also from their supposedly excessive sexuality and prodigious sexual reproduction. Through discussions of both familiar and little-studied early modern works by William Shakespeare, John Milton, Ben Jonson, Thomas Middleton, Thomas Dekker, Robert Greene, Thomas Harman, and the inventor of modern demography John Graunt, this volume posits the sexualized rogue as the avatar of a new cate...
The spectacular 1848 escape of William and Ellen Craft (1824-1900; 1826-1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his "master's" devoted slave valet; both traveled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts' activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Sla...
From the terrorist attacks of September 11, 2001 in New York to the Madrid and London bombings of 2004 and 2005, the presence of Muslim communities in the West has generated security issues and major political concern. The government, the media, and the general public have raised questions regarding potential links between Western Muslims, radical Islam and terrorism. This speculation has given rise to popular myths concerning the Islamic world and led to a host of illiberal measures such as illegal warranting, denial of Habeas Corpus, "black prisons" and extreme torture throughout the democratic world. This book challenges the authenticity of these myths and examines the ways in which they have been used to provide an ideological cover for the "war on terror" and the subsequent Iraq war. It argues that they are not only unfounded and hollow, but have also served a dangerous purpose, namely war-mongering and the empowering of the national-security state. It further considers the origin and transmission of these myths, focusing on media, government policy and popular discourse.
The Properties of Violence focuses on two connected issues: representations of lynching in late-nineteenth and twentieth-century American photographs, poetry, and fiction; and the effects of those representations. Alexandre compellingly shows how putting representations of lynching in dialogue with the history of lynching uncovers the profound investment of African American literature--as an enterprise that continually seeks to create conceptual spaces for the disenfranchised culture it represents--in matters of property and territory. Through studies ranging from lynching photographs to Toni Morrison's Pulitzer Prize-winning novel, Beloved, the book demonstrates how representations of lynch...