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This debut collection of vivid, lyrical poems explores the emotional landscape of childhood without confession and without straightforward narrative. Chang sweeps together myth and fairy tale, skirting the edges of events to focus on the psychological tenor of experience: the underpinnings of identity and the role of nature in both constructing and erasing a self. From the edge of the ocean, where things constantly shift and dissolve, through "the forest's thick, / where the trees meet the dark," to an imaginary cliffside town of fog, this book makes a journey both natural and psychological, using experiments in language and form to capture the search for personhood and place.
"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question ...
Give math students the connections between what they learn and how they do math—and suddenly math makes sense If your secondary-school students are fearful of or frustrated by math, it’s time for a new approach. When you teach concepts rather than rote processes, you show students math’s essential elegance, as well as its practicality—and help them discover their own natural mathematical abilities. This book is a road map to retooling how you teach math in a deep, clear, and meaningful way —through a conceptual lens—helping students achieve higher-order thinking skills. Jennifer Wathall shows you how to plan units, engage students, assess understanding, incorporate technology, an...
An Authentic Life is an exacting and fearless interrogation of the education one receives from the institutions of academia and family. Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang’s anticipated third collection, An Authentic Life, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the “fathers” who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author’s experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation. Here, the patriarchal violence of history becomes intimate, brought down to a domestic scale. A woman sweeping the floor cannot escape thoughts of war, or her dying mother, while another scene shows friends questioning the “despite-ness” of love. In poems where the lyric is reimagined as porous, discursive, and bursting open, Chang fearlessly confronts the forms of knowledge that hold power. Meticulous and masterful, An Authentic Life creates a world where we can begin “to unlearn everything.”
"Mixing fable and fact, extraordinary and ordinary, Jennifer S. Cheng's hybrid collection Moon: letters, maps, poems draws on various Chinese mythologies about women, particularly that of Chang'E (the Lady in the Moon), uncovering the shadow stories of our myths--with the belief that there is always an underbelly. Moon explores bewilderment and shelter, destruction and construction, unthreading as it rethreads, shedding as it collects."--Page [4] of cover.
The best contemporary American poets are represented in this essential anthology.
Poetry. Women's Studies. Translation. Translated by Erín Moure. CAMOUFLAGE is a new collection of poems by the Galician poet and journalist Lupe Gómez. The poems in CAMOUFLAGE are sharp, tender elegies for a mother and for a rural village, its changing walks and ways and words. In CAMOUFLAGE, we see how one person can be "two sisters," with "two pasts." We learn about making cheeses, but also that "Death is a political project." Gómez's bold voice erases the line between the political and the domestic, the experimental and the sequential, and allows for celebratory insight. CAMOUFLAGE was published in Spain in 2017 and is Gómez's eleventh book of poetry but her first published in the United States. The poems were originally written in Galician, a language spoken by about 3 million people, primarily in Galicia, an "autonomous community" in the northwest of Spain. Translator and poet Erín Moure has translated the book into an intimate English with a vivid and tight "linguistic embrace." CAMOUFLAGE is a bilingual edition with a translator's introduction, and presents a new approach to designing work in translation.
Three generations of Taiwanese American women are haunted by the myths of their homeland in this blazing debut of one family's queer desires, violent impulses and buried secrets. One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. Her name was Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her estranged grandmother; a visiting aunt leaves red on everything she touches; a ghost bird shimmers in an ancient birdcage. All the while, Daughter is falling for a neighbourhood girl named Ben with mysterious stories of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies an old Taiwanese myth, and fears the power of the tiger spirit bristling within her to cause pain. She will have to bring her family's secrets to light in order to derail their destiny. 'What gives me fuel are other books - anything stylish and/or dirty. This year I loved reading K-Ming Chang's Bestiary' Raven Leilani, author of Luster
'Ugandan literature can boast of an international superstar in Jennifer Nansubuga Makumbi' Economist An award-winning debut that vividly reimagines Uganda’s troubled history through the cursed bloodline of the Kintu clan In this epic tale of fate, fortune and legacy, Jennifer Makumbi vibrantly brings to life this corner of Africa and this colourful family as she reimagines the history of Uganda through the cursed bloodline of the Kintu clan. The year is 1750. Kintu Kidda sets out for the capital to pledge allegiance to the new leader of the Buganda kingdom. Along the way he unleashes a curse that will plague his family for generations. Blending oral tradition, myth, folktale and history, Makumbi weaves together the stories of Kintu’s descendants as they seek to break free from the burden of their past to produce a majestic tale of clan and country – a modern classic.
Featuring a wealth of digital content, this concept-based Print and Enhanced Online Course Book Pack has been developed in cooperation with the IB to provide the most comprehensive support for the new DP Mathematics: analysis and approaches HL syllabus, for first teaching in September 2019.