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How to Live on Bread and Music
Beloved in classrooms, these poems broadly explore themes such as identity formation, nostalgia, and impermanence, passing through risk to find refuge in the sensory world. Life-affirming but without illusions, HOW TO LIVE ON BREAD AND MUSIC showcases poet Jennifer K. Sweeney's mature consciousness and circumspect intelligence. This collection takes us on a physical and spiritual trip, symbolized in recurring images of the train. Exploring broad themes such as identity formation, nostalgia, and impermanence, the poet passes through risk to find refuge in the sensory world. What is most remarkable is Sweeney's ability to confide without burdening, her talent for arranging enough silence betwe...
Foxlogic, Fireweed
Winner of the Backwaters Prize in Poetry, Jennifer K. Sweeney’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.
Little Spells
Poetry. "I am not normally moved by perfection, since I like a little mess in poetry, but when a book achieves the trifecta of truly beautiful balance precise observation, uncannily accurate words, wildness and depth of heart it must be as close to perfect as our weird and glorious art can get. Sweeney understands how the profound and the miniscule are interconstitutive qualities of souls and objects in a universe ("Dwarf star with one eye on the moon") and this exploration is inner as well as visible, external. Throughout the book, the speaker is concerned with the continuum of life: from stones and plants and planets, to finches and fire, on to witches and princesses and she honors each fo...
Foxlogic, Fireweed
Winner of the Backwaters Prize in Poetry, Jennifer K. Sweeney’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.
Salt Memory
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Student-Centered Coaching
This practical resource is grounded in a simple but powerful premise: that school-based coaching programs can be designed in a way that more directly impacts student achievement. In a student-centered coaching relationship, the focus is on using data and student work to drive conversations between coaches and teachers to make informed decisions about instruction. In other words, coaches and teachers work collaboratively to support students. The book also underscores the critical role of the principal in developing systems and structures to support teacher learning and fostering a culture of learning. The book is suitable for use with both new and experienced coaches and the principals who support them.
Little Million Doors
A moving poetic account of grief and record of post-traumatic stress after the loss of a parent.
Wolf's Milk
The letter before A is silence. -- Juan Sweeney from the Translator's Note: Little is known about the life of Juan Sweeney de las Minas de Cobre. He grew up between Andalusia, Ireland, Oklahoma and Bolivia, lived centuries ago and has yet to be born. Vicente Huidobro wrote in a letter to Sweeney, "Reading these poems, one desires annihilation and love in equal measures. One tastes metal, as of an asteroid belt of old trains passing overhead." Juan Sweeney preferred riding on the backs of trains to being seated inside; he loved cheese and whiskey and has often been compared to the troubadour poet, Cavalcanti, for his lifestyle of travel and intrigues with women of court. He inspired the characterization of Cervantes' journeyman, Don Quixote, and paradoxically of Byron's archetypical hero. I found these poems on shreds of paper in the walls of Sweeney Castle in Oklahoma, where I was born and where Sweeney de las Minas de Cobre presumably passed away, though his body soon disappeared from the family crypt.
Still Life with Poem
Poetry. Art. With a tradition that can be traced to Pompeii, the genre of the still life or nature morte has most often been used since the Middle Ages and the Renaissance as a vehicle for symbolism and metaphor, objects serving as stand-ins for philosophical ideas, religious principles, or moralizing messages. In STILL LIFE WITH POEM, poets were asked to create (or to imagine) their own still lifes and to write poems in response to these thoughtful arrangements of things. And although still life paintings are often viewed as unmoving, quiet works of art, this anthology presents a collection of energetic, urgent voices; these poems speak to current events, the making of art, the domestic, th...
Moon
"Mixing fable and fact, extraordinary and ordinary, Jennifer S. Cheng's hybrid collection Moon: letters, maps, poems draws on various Chinese mythologies about women, particularly that of Chang'E (the Lady in the Moon), uncovering the shadow stories of our myths--with the belief that there is always an underbelly. Moon explores bewilderment and shelter, destruction and construction, unthreading as it rethreads, shedding as it collects."--Page [4] of cover.
