You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This study analyzes the relationship between race and genre in four of Toni Morrison’s novels: The Bluest Eye, Tar Baby, Jazz, and Beloved. Heinert argues how Morrison’s novels revise conventional generic forms such as bildungsroman, folktales, slave narratives, and the formal realism of the novel itself. This study goes beyond formalist analyses to show how these revisions expose the relationship between race, conventional generic forms, and the dominant culture. Morrison’s revisions critique the conventional roles of African Americans as subjects of and in the genre of the novel, and (re)write roles which instead privilege their subjectivity. This study provides readers with new ways...
The first full-length study on the subject of Dickens and work, this book reshapes our understanding of Dickens by challenging a critical oversimplification: that Dickens's attitude towards work reflects conventional expressions of Victorian earnestness of the sort attributed also to Thomas Carlyle, John Ruskin, and even more simplistically, Samuel Smiles. Instead, by analyzing a wide range of Dickens’s fiction and journalism in the light of new biographical and historical research, Louttit shows that Dickens is not interested in work as an abstract, positive value, or even in cataloguing it in concrete detail. What he explores instead is the human dimension of work: how, in other words, work affects the lives of those engaged in it. His writing about work is, as a result, best viewed not merely as a quasi-religious Gospel of Work, nor as an objective sociological report, but rather as what Louttit terms a "secular gospel."
Current work on speech pragmatics and visual thinking calls for a radical reassessment of the problem of obscurity or difficulty in Robert Browning’s work. In this innovative study, Bailey reinterprets Browning's life and work in the context of contemporary theories of language and attention, drawn from the cognitive sciences. Specifically, new readings of under-examined historical sources show the extent to which Browning’s cognitive and perceptual worlds differed from the norm, aligning him with Victorians like Sir Francis Galton or fellow-artist William Wetmore Story. Exploring how perceptual biases are transformed in the language of the poems, Bailey demonstrates how the cognitive sciences can ground a new biographical practice, drawing attention to such matters as the creative process and the ethics of understanding individuals who think differently. In doing so, she re-energizes debates about this unusual Victorian poet, his later works, and the nature of literary style.
International Journal on Multicultural Literature (IJML) Volume 6 Number 2 (July 2016) ISSN 2231-6248 Highlights include: "Portrayal of Man-Woman Pairs in the Fictional World of D. H. Lawrence: An Analysis" --S. Chelliah"Feminism and Feminist Literary Theory: A Brief Note" --C. Ramya"Portrayal of Feminine Spaces and Sensibilities in the Short-fiction of Alice Munro" --Syed Mir Hassim & M. Revathi"Violence, Memory and Identity in Indian English Fiction" --Barinder Kumar Sharma"Relevance of Neo-Slave Narrative Technique in Toni Morrison's Beloved" --Jaya Singh"'Mangalamkali' of Mavilan Tribe: An Ecocritical Reading" --Lillykutty Abraham & Sr. Marykutty Alex IJML is a peer-reviewed research jou...
This study examines a selection of Chesterton’s novels, poetry, and literary criticism and outlines the distinctive philosophy of history that emerges from these writings. Looking at Chesteron's relationship with and influence upon authors including William Cobbett, Sir Walter Scott, Belloc, Shaw, H.G. Wells, Christopher Dawson, Evelyn Waugh, and Marshall McLuhan, McCleary contends that Chesterton’s recurring use of the themes of locality, patriotism, and nationalism embodies a distinctive understanding of what gives history its coherence. The study concludes that Chesterton’s emphasis on locality is the hallmark of his historical philosophy in that it blends the concepts of free will, specificity, and creatureliness which he uses to make sense of history.
Kucukalic looks beyond the received criticism and stereotypes attached to Philip K. Dick and his work and shows, using a wealth of primary documents including previously unpublished letters and interviews, that Philip K. Dick is a serious and relevant philosophical and cultural thinker whose writing offer us important insights into contemporary digital culture. Evaluating five novels that span Dick's career--from Martian Time Slip (1964) to Valis (1981)--Kucukalic explores the the intersections of identity, narrative, and technology in order to ask two central, but uncharted "Dickian" questions: What is reality? and What is human?
In this volume, Nashef looks at J.M. Coetzee's concern with universal suffering and the inevitable humiliation of the human being as manifest in his novels. Though several theorists have referred to the theme of human degradation in Coetzee’s work, no detailed study has been made of this area of concern especially with respect to how pervasive it is across Coetzee’s literary output to date. This study examines what J.M. Coetzee's novels portray as the circumstances that contribute to the humiliation of the individual--namely the abuse of language, master and slave interplay, aging and senseless waiting--and how these conditions can lead to the alienation and marginalization of the individual.
This literary study explores how agribusiness, industrial agriculture and countercultural food movements underpin modern American conceptions of global power.
Fear runs rampant in the world today, including fears related to the rise of nationalism, refugees, political corruption, violence, religious extremism, and climate crises. Amid these existential realities, the biblical idea of "the fear of God" poses theological opportunities and challenges for those who address these themes in their preaching and public ministry. This collection of conference presentations from the 2018 meeting of Societas Homiletica focuses on how preaching and homiletical studies around the world address the rhetorical, biblical, political, and spiritual dimensions of fear as it has emerged in recent decades in church and society.
Dismemberment in the Fiction of Toni Morrison is a multifaceted study of Toni Morrison’s fiction. It investigates racism and the concomitant experiences of dismemberment in Morrison’s fiction from multiple perspectives, including history, psychology, and culture. Looking at dismemberment from multiple perspectives, rather than the more generic and abstract expression of fragmentation, likens the impact of racism on individuals to the splitting of bodies, amputation, phantom limbs and traumatic memories, and in more concrete and visceral terms. Morrison’s art of story-telling involves an interactive conversation from multiple perspectives, demanding more attentive participation from her...