You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
From Hollywood's trendiest starlets to the legions of pariticipants in knitting classes and knitting groups around the country, people of all ages and lifestyles are taking up their needles and learning to knit. And once they learn the basics of the craft, beginners are eager to tackle projects they can create on their own. Simple Knits for Sophisticated Living offers more than 44 simple yet beautiful projects created specifically with the beginning knittter in mind. Featuring gorgeous, chunky yarns and simple designs with a clean, natural appeal, projects use U.S. size 8 (5mm) needles and above--so the work is as fast as it is enjoyable. These appealing yarns were carefully selected to do s...
Media, Culture, and Politics in Indonesia is about the institutions and policies that determine what Indonesians write, read, watch, and hear. It covers the print media, broadcast radio and television, computers and the internet, videos, films and music. This book argues that the texts of the media can be understood in two broad ways: 1. as records of a "national" culture and political hegemony constructed by Suharto's New Order and 2. as contradictory, dissident, political and cultural aspirations that reflect the anxieties and preoccupations of Indonesian citizens. Media, Culture, and Politics, now brought back to life as a member of Equinox Publishing's Classic Indonesia series, explains ...
This volume brings together new scholarship by Indonesian and non-Indonesian scholars on Indonesia’s cultural history from 1950-1965. During the new nation’s first decade and a half, Indonesia’s links with the world and its sense of nationhood were vigorously negotiated on the cultural front. Indonesia used cultural networks of the time, including those of the Cold War, to announce itself on the world stage. International links, post-colonial aspirations and nationalistic fervour interacted to produce a thriving cultural and intellectual life at home. Essays discuss the exchange of artists, intellectuals, writing and ideas between Indonesia and various countries; the development of cultural networks; and ways these networks interacted with and influenced cultural expression and discourse in Indonesia. With contributions by Keith Foulcher, Liesbeth Dolk, Hairus Salim HS, Tony Day, Budiawan, Maya H.T. Liem, Jennifer Lindsay, Els Bogaerts, Melani Budianta, Choirotun Chisaan, I Nyoman Darma Putra, Barbara Hatley, Marije Plomp, Irawati Durban Ardjo, Rhoma Dwi Aria Yuliantri and Michael Bodden.
First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Young J.V. Sullivan, the son of an American Army officer and a Russian pianist, has grown up on Army posts around the world. His prosperous Aunt Nora has welcomed him to her home on Cape Cod each summer, allowing him to contrast the American way of life with his overseas experiences. Despite a gift for languages, Sullivan is unsure of his future. He persists in studying marketing. He completes an MBA program at NYU during his father's second tour of duty in Manhattan and wonders about his future. Aunt Nora discovers young Sullivan may also be a gifted artist. She challenges him to complete a dozen portraits for her. If he accepts the challenge she agrees to pay him $1,000,000. "Why?" he asks. "Paint the portraits and you'll know if an art career is for you. If so, I salute you. If not, I'll have a dozen fine paintings and you'll have a million dollars." He accepts the challenge.
Killian Flaherty is a man who seemingly has it all: a beautiful wife, Lindsay, a great career, and wonderful children. From the moment he laid eyes on Lindsay, Killian knew that she was the one for him. Her breathtaking beauty, her hypnotizing deep chestnut brown eyes, and golden hair cascading down her shoulders were matched only by their shared passions and interests.For twenty years, Killian and Lindsay's love for each other only grew stronger. Their passion for each other was intense; however, Killian began to sense that his life was in danger. He discovers that his life with Lindsay was just a figment of his subconscious due to being in a coma, while in reality, he was married to an equ...
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainst...
Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done ...
Kumpulan esai Goenawan Mohamad di rubrik Catatan Pinggir majalah TEMPO antara 2002-2011, diterjemahkan ke dalam bahasa Inggris oleh Jennifer Lindsay. Bahasa yang digunakan Goenawan, kata Lindsay, sangat kaya metafora. Terdiri dari 106 kolom yang dimulai dari esai di majalah TEMPO 6 Oktober 2002, Patriotism, sampai Catatan Pinggir berjudul Cities di majalah TEMPO edisi 5 Juli 2011, dalam buku setebal 440 halaman
In 1965–66, army-organized massacres claimed the lives of hundreds of thousands of supporters of the Communist Party of Indonesia. Very few of these atrocities have been studied in any detail, and answers to basic questions remain unclear. What was the relationship between the army and civilian militias? How could the perpetrators come to view unarmed individuals as dangerous enemies of the nation? Why did Communist Party supporters, who numbered in the millions, not resist? Drawing upon years of research and interviews with survivors, Buried Histories is an impressive contribution to the literature on genocide and mass atrocity, crucially addressing the topics of media, military organization, economic interests, and resistance.