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In this work, Iain McCallum gives a full illustrated biography of Thomas Barker and other members of his artistic family.
This book examines the reported criminal behavior of the entire spectrum of 1% biker clubs and members. It identifies the clubs whose members have been involved in criminal behavior and classifies their behaviors as individual, group, or club- sponsored/condoned behavior. While other books examine the criminal exploits of one or more of what are called the "Big Five" biker clubs because of their size and sophistication, or the sensational crimes of lesser known 1% biker clubs or club members, this book pays attention to the criminal activities of individuals, groups and chapters of other clubs as well. The book is based on journalistic accounts and autobiographies of former and present members of biker clubs, academic/scholarly works, law enforcement/government reports, articles from newspapers and biker web sites, and a content analysis of federal and state court cases regarding bikers and motorcycle clubs. Text enhanced with numerous photos and figures.
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Concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. Raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to mainstream cinema and the processes of institutionalisation and classification. Claims that the history of academic film studies and that of cult movie fandom are inextricably intertwined and raises fundamental questions about both cult movies themselves, and film studies as a discipline. Updates work on cult movies at a time when cult films and TV have become a central part of contemporary culture. Ranges over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci fi flicks, as well investigations of Sharon Stone, 'underground' and trivia.
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