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A Poetics of Church
This innovative book aims to create a ‘poetics of Church’ and a ‘religious imaginary’ as alternatives to more institutional and conventional ways of thinking and of being ‘Church’. Structured as a spiritual and literary journey, the work moves from models of the institutional Catholic Church into more radical and ambiguous textual spaces, which the author creates by bringing together an unorthodox group of thinkers referred to as ‘poet-companions’: the 16th-century founder of the Society of Jesus, Ignatius of Loyola, the French thinkers Gaston Bachelard and Hélène Cixous, the French poet Yves Bonnefoy, and the English playwright Dennis Potter. Inspired especially by the rea...
Poetry and the Religious Imagination
What is the role of spiritual experience in poetry? What are the marks of a religious imagination? How close can the secular and the religious be brought together? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain, by way of contemporary and historical examples, the primary role of the religious imagination in the writing as well as in the reading of poetry.
Poetry and Prayer
Interdisciplinary and ecumenical in scope, Poetry and Prayer offers theoretical discussion on the profound connection between poetic inspiration and prayer as well as reflection on the work of individual writers and the traditions within which they stand. An international range of established and new scholars in literary studies and theology offer unique contributions to the neglected study of poetry in relation to prayer. Part I addresses the relationship of prayer and poetry. Parts II and III consider these and related ideas from the point of view of their implementation in a range of different authors and traditions, offering case studies from, for example, the Bible, Dante, Shakespeare and Herbert, as well as twentieth-century poets such as Thomas Merton, Denise Levertov, W.H. Auden and R.S. Thomas.
The Routledge Companion to Joseph Conrad
The Routledge Companion to Joseph Conrad attests to the global significance and enduring importance of Conrad’s works, reception, and legacy. This volume brings together an international roster of scholars who consider his works in relation to biography, narrative, politics, women’s studies, comparative literature, and other forms of art. They offer approaches as diverse as re-examining Conrad’s sea voyages using newly available digital materials, analyzing his archipelagic narrative techniques, applying Chinese philosophy to Lord Jim, interrogating gendered epistemology in the neglected story “The Tale,” considering Conrad alongside W.E.B. Du Bois, Graham Greene, Virginia Woolf, or Orhan Pamuk, or alongside sound, gesture, opera, graphic novels, or contemporary events. An invaluable resource for students and scholars of Conrad and twentieth-century literature, this groundbreaking collection shows how Conrad’s works – their artistry, vision, and ideas – continue to challenge, perplex, and delight.
Making Memory
The twentieth century has been called a "century of horror." Proof of that designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources--from the Hebrew Bible to Commonwealth War Graves, from Greek tragedy to post-Holocaust theology--Alana Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world.
Writing Methods in Theological Reflection
'Writing Methods in Theological Reflection' offers a stimulating, provocative and accessible book that will be of use to students and practitioners who are seeking ways to use their own experience in the work of spiritual and theological reflection. This work is intended for use by the many students of theology/ministry/chaplaincy who are charged with the task of producing works of theological reflection upon placements, life experiences and faithful practiceIt will also be of general interest to a wide range of readers trying to correlate their life experiences with their spiritual beliefs.
Sex, Sin, and Our Selves
Sex, Sin, and Our Selves brings together readings in feminist theological thought and the literature of the acclaimed contemporary writers Michele Roberts and Sara Maitland. Through placing theology in conversation with Roberts's and Maitland's literary engagement with issues of religion and gender, this book explores themes of selfhood, connection, sex, sin, and self-sacrifice. In doing so, it challenges a tendency of feminist theology to seek simple and idealized answers, rather than honor complexity and the need to continue to ask questions. In the encounters in feminist theology and contemporary women's writing, Anna Fisk employs autobiographical narrative, critically understood as "reading these stories beside my own."
Made in the Image of God
What does it mean to be human and made in the image of God? This collection of essays explores the question from a wide range of theological and philosophical perspectives.
H.D. and Modernist Religious Imagination
Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.
