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Using simple exercises, rediscover the pleasure you got from childhood drawing, before you became too self-conscious and self-critical to enjoy it. As we grow up, somehow we learn that drawing is hard and there are all sorts of rules about colour and perspective that stifle our creativity. This book is here to remind you of the joy you once found in creating, scribbling, getting something down on paper—and that it’s more about the process than the result. This accessible guide takes you by the hand, breaks down the barriers to sketching, and shows you how to build your confidence and skills to draw spontaneously, with nothing more than the things around you for inspiration. Through a series of simple exercises, you will learn how to sketch everyday items, people and places, using simple watercolour techniques to add colour to your sketchbooks.
Stories from a world both fantastically strange and gruellingly familiar where isolation, ruin, prejudice, and misinformation soar in an irresistible, susurrant fugue of displaced families yearning to belong In the four stories that make up The Dolls, characters are plagued by unexplained illnesses and oblique, human-made disasters and environmental losses. A big sister descends into the family basement. Another sister refuses her younger brother. A third sister with memory loss is on the run and offered shelter by Notpla, a man both an ally and an enemy. A fourth set of siblings travel to Hungary with their late mother in a coffin. They each have a different version of their mother's story....
Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archai...
The government has long been leaderless, and that is the way many want it to stay. That is, until problems arise. The budget is bloated, so too is the bureaucracy. The alphabet agencies are untrustworthy, Congress refuses to act. When the unthinkable happens, the president needs to break the mold and act unilaterally, but through which agency or bureau? The country is warned, will the leadership heed those warnings in time and who will be the instruments of our country's salvation?
Women of the world have united and are attempting to save the world from spiraling into an abyss of ignorance, fear, greed and hate. They asked and they received; and the answer is shocking. But is it too late to save mankind? Extraterrestrials, UFOs, religion, Rh negative blood, inter-dimensional portals, chemtrails and conspiracy theories all enter into the entertaining and thought provoking story. This sequel picks up where Susan Alan's first book, 'In Our Image', left off.
From the acclaimed author of The Employees, a radical, funny, and mercilessly honest novel about motherhood. After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf Anna, who obsessively devours online news and compulsively orders clothes she can’t afford. To avoid sinking deeper into her depression, she forces herself to read and write. My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms—fiction, essay, poetry, memoir, and letters—to explore the relationship between motherhood, work, individuality, and literature.“Olga Ravn writes dazzlingly about the work of motherhood and the work of writing. Reading Ravn’s book, you run through the whole gamut of human emotion, as though you too were a new mother: tears, laughter, anger, fear, pain, frustration. This is powerful writing that’s hard to put down.”—Politiken
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Until Gertrude Vanderbilt Whitney opened her studio on Eighth Street in Manhattan in 1914—which evolved into the Whitney Museum almost two decades later—there were few art museums in the United States, let alone galleries, for contemporary artists to exhibit their work. When the mansions of the wealthy cried out for decorative art, they sought it from Europe, then the art capital of the world. It was in her tiny sculptor’s studio in Greenwich Village that Whitney began holding exhibitions of contemporary American artists. This remarkable effort by a scion of America’s wealthiest family helped to change the way art was cultivated in America. The Whitney Women and the Museum They Made is the story of the high ideals, extraordinary altruism, and great dedication that stood steadfast against inflated egos, big business, and greed. Flora Biddle’s sensitive and insightful memoir is a success story of three generations of forceful, indomitable women.
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book'...