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Spatialities draws on a distinguished panel of artists, cultural theorists, architects, and geographers to offer a nuanced conceptual framework for understanding the ever-evolving spatial orderings that materially constitute our world. With chapters covering a wide range of topics, including the interstitial, the liminal and relational processes of deformation, and distribution and stratification as a means of spatial reflection, this volume shows space to be less a defining category and more an abstract terrain whose boundaries may be continually deconstructed and reassembled.
This volume is a collection of thirteen essays built around the question ‘what is the supernatural, and how, and why, has it changed over time?’ It is divided into two complementary sections; the first focussing on research on the discourse of the supernatural (including the miraculous) located in the medieval and early modern eras, and the second consisting of a set of test-cases involving research on the uncanny, often articulated in a post-Freudian sense, as expressed in modern literature, film and art. The eclectic and prismatic approach pursued via a variety of test-cases of the supernatural in this book gives rise to a clear, comparative and diachronic study of the main characteristics of the supernatural.
It was at the Airplane Club in Denver, Colorado, right after World War II, that Leland, on the drums, and Josephine, handling the vocals, first met and fell in love. That marked the beginning of a long and fruitful life--one that would include the births of nine children. As the children grew up surrounded by family, they were the center of their own universe, and their home was the center of their community. Their upbringing was different than most, but the siblings found unique ways to entertain themselves and challenge their intellect, their musical talents, and their wiles. In 9 Voices, each of the children, now grown, presents a chapter narrating events from his or her life, from his or her perspective; their stories encompass their childhoods, from their earliest memories to their departures from home. Their testimonies and colorful anecdotes pay tribute to their parents and an extraordinary childhood. Told from nine distinct viewpoints, this memoir shares a lively, touching, and candid portrait of one remarkable family.
"This book is about how American religious parents approach the handing on of their religious practices and beliefs to their children. We know a lot about the importance of parents in faith transmission and factors that influence its effectiveness. But we know much less about the actual beliefs, feelings, and activities of the parents themselves when it comes to the intergenerational transmission of religious faith and practice"--
This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.
Cassandra Dean has written her first book, one on practical and modern magic. Too bad it should have been a murder mystery, because now she’s embroiled in one. The Havenholm Weekend of Words This literary festival will bring together the small town’s-and the world’s-most celebrated authors: new horror writer Brian Vidor, cocky newcomer Chet Ealing, elegant yet racy erotic romance writer Jennifer Thatcher, as well as long-feuding legends Joseph F. Farmer and the always mysterious Maximilian Frowd, long time Havenholm’s crotchety recluse. As the festival gets underway, Caroline Cuthbert, a very famous and somewhat difficult fantasy writer, winds up murdered in her temporary home, hours before she was to host a solo panel at the event. After a callous fan of Caroline’s reveals her murder during an authors’ panel, Cassy, along with Havenholm’s Deputy Sheriff James Jones, are on the case and determined to find the killer. Even in the literary world, things aren’t always what they seem-or what’s written in plain sight.
The information herein was accumulated of fifty some odd years. The collection process started when TV first came out and continued until today. The books are in alphabetical order and cover shows from the 1940s to 2010. The author has added a brief explanation of each show and then listed all the characters, who played the roles and for the most part, the year or years the actor or actress played that role. Also included are most of the people who created the shows, the producers, directors, and the writers of the shows. These books are a great source of trivia information and for most of the older folk will bring back some very fond memories. I know a lot of times we think back and say, "Who was the guy that played such and such a role?" Enjoy!
This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography. Contributors argue that this multiplicity is a defining feature of the region. At the same time, chapters employ the concept of “plural geographies” and call for an equal geography, based on solidarity and an equal distribution of capital, which could allow plural geographies to exist and be described. The “multiple geographies” of ECE consider the perspective of local conditions and emphasize how this region was part of successive empires with an important ethnic diversity and changing borders, giving it historical layers and multicultural characteristics. The book will be of interest to scholars working in art history, political studies, cultural studies, and geography.