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Sumptuous Iranian textiles from the V&A's unrivalled collection are displayed in this beautiful book. A new title in a successful series, Iranian Textiles presents more than 200 examples produced during the first half of the 19th century, with close-up photographs that reveal the unique woven, printed, and embroidered designs.
"The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament - evidence of the international nature of Islamic design. Materials represented are silk - the most prestigious of fibres, requiring highly respected weavers - wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth...
This book is a celebration of the extensive collection of Ottoman embroidery at the V and A which ranges from the middle of the 16th century to 1900. In addition to illustrating over 100 major pieces, an introductory text puts the collection in context, explaining who the Ottomans were and their impact on Europe. The embroideries themselves include pieces such as sashes, kerchiefs and scarves which were made to satisfy the requirements of the Ottoman household and are strongly redolent of an exotic way of life. The embroideries can be divided into pre- and post-1720, when the Ottomans made peace with Central and Western Europe, and incorporated many aspects of Western art into their textile ...
This lavishly illustrated book celebrates the V&A's magnificent collection of dress from around the world. A source of inspiration to many of today's top designers, these colourful items of clothing, seen here in glorious close-up, will delight all lovers of fashion. Some 150 pieces, from the tropics to the Arctic circle, from the plains of India to the mountains of Montenegro, have been chosen to illustrate how different cultures create their regional and national costume. The garments range from the ceremonial to the everyday, and display a breathtaking richness of detail- rows of ornamental buttons, embroidered patterns, intricate pleating and stitching, flamboyant fringes and tassels tha...
From the mountains of Montenegro to the shores of South-East Asia and beyond, the V&A's renowned world dress collection is highlighted in World Dress Fashion in Detail . The book, part of the V&A Fashion in Detail series, explores cut work and silk embroidery from Indonesia, applied metal braid and cord fastenings from Albania, as well as elaborate patchwork from Tibet, India, Korea and Iran. Specially commissioned photographs, authoritative text and line drawings showcase the breathtaking richness of detail that will delight and inspire anyone interested in dress.
The volume comprises a collection of 20 of the 43 papers presented at the Third International Round Table on Safavid Persia, held at the University of Edinburgh in August, 1998 and edited by the Round Table's organiser. The Third Round Table, the largest of the series to date, continued the emphasis of its predecessors on understanding and appreciating the legacy of the Safavid period by means of exchanges between both established and 'newer' scholars drawn from a variety of fields to facilitate an exchange of ideas, information, and methodologies across a broad range of academic disciplines between scholars from diverse disciplines and research backgrounds with a common interest in the history and culture of this period of Iran's history.
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
Oriental Carpets have always been prized in the West as luxury items, and this is a stunning showcase of 100 of the greatest oriental carpets in the V&A. The carpets in the book range from Chinese to Turkish and there is a section on popular kilims and flatweaves. The basic techniques of carpet weaving are explained alongside diagrams and photographic details showing how to interpret the structure of any carpet.
Published on the occasion of an important international loan exhibition at The Azerbaijan Carpet Museum in Baku, this multi-author book is much more than a mere catalogue. Written by a team of international museum professionals and independent scholars, it is the first co-ordinated and detailed study of the West Caspian region's characteristic silk embroideries. The book traces the history of embroidery in the Causasus, the multi-cultural sources of domestic embroidery iconography and designs in which the textile traditions of the Iranian and Turkic worlds meet, materials and needlework techniques, as well as the relationship between embroidery and the pile carpet weaving tradition in the re...
This 2001 interpretation of literature and arts reveals how clothing and costume were critical to Renaissance culture.