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Anthropology, Art, and Aesthetics
The anthropology of art is a fast-developing area of intellectual debate and academic study. This beautifully illustrated volume is a unique survey of the current state of anthropological thinking on art and aesthetics. The distinguished contributors draw on contemporary anthropological theory and on classic anthropological topics such as myth and ritual to deepen our understanding of particular aesthetic traditions in their socio-cultural and historical contexts. Many of the essays present new findings based on recent field research in Australia, New Guinea, Indonesia, and Mexico; while others draw on classical anthropological accounts of the Trobriand Islanders of Melanesia and the Nuer of the Southern Sudan to form new arguments and conclusions. The introductory overview of the history of the anthropology of art, by Sir Raymond Firth, makes this volume especially useful for those interested in learning what anthropology has to contribute to our understanding of art and aesthetics in general.
Between the Folds
Textiles have long been integral to the social life and cosmology of the people of East Sumba, Indonesia. In recent decades, the villagers have entered a larger world economy as their textiles have joined the commodity flow of an international ethnic arts market, stimulated by Indonesia's tourist trade. As the people of Sumba respond to an immensely expanded commerce in their cloth, tensions and ironies emerge between history and innovation in both cloth and lives.
The Anthropology of Art
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.
The Value of Aesthetics
Unlike many other handicrafts in the Mexican state of Oaxaca, which have long cultural and historical trajectories, Oaxacan woodcarving began in the second half of the twentieth century and has always been done for the commercial market. In The Value of Aesthetics, Alanna Cant explores how one family’s workshop in the village of San Martín Tilcajete has become the most critically and economically successful, surpassing those of neighbors who use similar materials and techniques. The dominance of this family is tied to their ability to produce a new aesthetic that appeals to three key “economies of culture”: the tourist market for souvenirs, the national market for traditional Mexican ...
The Ethics of Animal Beauty
The Ethics of Animal Beauty provides a novel account of the aesthetics of animals and explores the ethical implications of recognizing and admiring their beauty. Samantha Vice argues that animation, the aesthetic property of being an individual with a subjective perspective on the world, is fundamental to any meaningful appreciation of animal beauty. If we properly appreciate animation, we are called on to respond to animals with respect, care, gratitude and wonder. Applying this idea to contemporary practices such as trophy hunting and taxidermy and to our lived relationships with (domestic) companion animals, Vice argues that the appreciation of animal beauty carries profound ethical consequences for our relations to our fellow creatures. This perspective bears on questions of animal rights and ecocritical debates, while also contributing to key discussions in aesthetics and its relation to moral imperatives.
The Languages and Linguistics of Africa
This innovative handbook takes a fresh look at the currently underestimated linguistic diversity of Africa, the continent with the largest number of languages in the world. It covers the major domains of linguistics, offering both a representative picture of Africa’s linguistic landscape as well as new and at times unconventional perspectives. The focus is not so much on exhaustiveness as on the fruitful relationship between African and general linguistics and the contributions the two domains can make to each other. This volume is thus intended for readers with a specific interest in African languages and also for students and scholars within the greater discipline of linguistics.
Iban Ritual Textiles
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Crafting Gender
This volume initiates a gender-based framework for analyzing the folk art of Latin America and the Caribbean. Defined here broadly as the "art of the people" and as having a primarily decorative, rather than utilitarian, purpose, folk art is not solely the province of women, but folk art by women in Latin America has received little sustained attention. Crafting Gender begins to redress this gap in scholarship. From a feminist perspective, the contributors examine not only twentieth-century and contemporary art by women, but also its production, distribution, and consumption. Exploring the roles of women as artists and consumers in specific cultural contexts, they look at a range of artistic...
Anthropology of the Arts
A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art.Introducing students to the basics as well as the latest scholarship, the book features:- 45 chapters which combine classic texts from anthropologists such as Pierre Bourdieu, Claude Lévi-Strauss, Margaret Mead, Bronislaw Malinowski, Alfred Gell, Franz Boas, and Mary Douglas with recent scholarship by George Marcus, Tim Ingold, Roger Sansi, Christopher Pinney, Georgina Born, and others- Both theore...
The Sacred and the Secular
The field of research: Pakistani Punjab -- Islam, image and iconophobia -- Popular arts and its transformation -- Popular religious art -- Popular figures of piety -- Popular secular art -- Souvenir arts -- Objects of status representation -- Family memorabilia -- Conclusion: Identities and manifestation.
