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Point Reyes National Seashore has a long history as a working landscape, with dairy and beef ranching, fishing, and oyster farming; yet, since 1962 it has also been managed as a National Seashore. The Paradox of Preservation chronicles how national ideals about what a park “ought to be” have developed over time and what happens when these ideals are implemented by the National Park Service (NPS) in its efforts to preserve places that are also lived-in landscapes. Using the conflict surrounding the closure of the Drakes Bay Oyster Company, Laura Alice Watt examines how NPS management policies and processes for land use and protection do not always reflect the needs and values of local residents. Instead, the resulting landscapes produced by the NPS represent a series of compromises between use and protection—and between the area’s historic pastoral character and a newer vision of wilderness. A fascinating and deeply researched book, The Paradox of Preservation will appeal to those studying environmental history, conservation, public lands, and cultural landscape management, and to those looking to learn more about the history of this dynamic California coastal region.
A collection of highly readable critical essays (1977-2023) by a leader in the field of American social art history. Among the subjects Alan Wallach explores are the art of Thomas Cole, patronage of the Hudson River School, so-called “Luminism,” the rise of the American art museum, the historiography of American art, scholarship and the art market, as well as the work of Augustus Saint-Gaudens, Rockwell Kent, Grant Wood, Philip Evergood, and Norman Rockwell. Throughout, Wallach employs a materialist approach to argue against traditional scholarship that considered American art and art institutions in isolation from their social, historical, and ideological contexts.
In the midst of the increasing antagonism between religion and secularity, the sacred and the profane, faith and reason – currently described in terms of “the clash of civilizations” – is religion any longer relevant or meaningful in the globalizing development of modern subjectivity, inter-subjectivity, family, society, state and history? If so, how and to what end? In the socio-historical context of the highly secular, neo-liberal/neo-conservative globalization movement, the question of the social meaning and relevancy of religion has entered directly into the contemporary discourse on the future of humanity. This book gives expression to the research of international scholars as they wrestled with these issues during the Future of Religion courses held at the Inter-university Center in Dubrovnik, Croatia from 2001-2005. Contributors include: Aleksandra Baša, Reimon Bachika, Aleš Črnič, Anja Finger, Helmut Fritzsche, Denis Janz, Hans-Herbert Kögler, Werner Krieglstein, Mislav Kukoč, Gottfried Küenzlen, Aurelia Margaretić, Michael R. Ott, Dunja Potočnik, A. James Reimer, Kjartan Selnes, Rudolf J. Siebert, Hans K. Weitensteiner, Brian Wilson, Katarzyna Zielinska.
What is it about Niagara Falls that fascinates people? What draws them to it? Is it love, obsession, or fear? In The Niagara Companion, Linda Revie searches for an answer to these questions by examining the paintings and writings about the Falls from the late seventeenth century, when the first Europeans discovered Niagara, to the early twentieth century. Linda Revie’s study considers how three centuries of representations are shaped by the earliest encounters with the waterfall and notes shifts in the construction of landscape features and in human figures, both Native and European, in the long history of fine art depictions. Travel narratives, both literary and scientific, also come unde...
An illuminating account of the interplay between science, religion, and nature in nineteenth-century landscape painting Geology was in vogue in nineteenth-century America. People crowded lecture halls to hear geologists speak, and parlor mineral cabinets signaled social respectability and intellectual engagement. This was also the heyday of the Hudson River School, and many prominent landscape painters avidly studied geology. Thomas Cole, Asher Durand, Frederic Church, John F. Kensett, William Stanley Haseltine, Thomas Moran, and other artists read scientific texts, participated in geological surveys, and carried rock hammers into the field to collect fossils and mineral specimens. As they c...
An examination of the continuities and differences between American Impressionism and Realism. Copyright © Libri GmbH. All rights reserved.
An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.
Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.
This volume examines the ways in which attempts to define and delimit American nationhood effected imaginative and documentary conceptualizations of the Native American population. Far-reaching in its scope, both in terms of the period covered - roughly the period from the Declaration of Independence to the closing of the frontier - and in terms of the variety and kinds of documents examined, this study calls attention to the cultural and generic restraints that prevented visual and literary artists, as well as statesmen and community leaders, from adopting any position toward Native Americans other than a prejudicial one.
12 A Visual Empire: Seeing the British Atlantic World from a Global British Perspective -- 13 ""Of the Old Stock"": Quakerism and Transatlantic Genealogies in Colonial British America -- Notes -- List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- P -- Q -- R -- S -- T -- U -- V -- W -- Y