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The Female Homer
charts - for the first time - the otherwise invisible tradition of women's epic." "The Female Homer provides a powerful research tool through its checklist of women's epic poems, and a vital starting point for investigations and new conversations in the field. For scholars in Comparative Literature and English Studies who are already at work on questions of women's epic, the recovery of women's texts, and the place of women's writings within traditionally masculine canons of literature, The Female Homer sketches and consolidates the field. Beyond these specialists, scholars in all fields of literary study, once they clear their initial shock at the existence of women's epic, will be engaged by the kinds of texts these women poets have produced. Beyond an academic audience, the wider reading public will find in this accessibly written volume a welcome introduction to an unknown range of texts and authors. This approach also makes it a suitable textbook for courses in epic, in --
Poems
"Poets often explore the mind/body connection through the medium of words-how love, parenthood, and simple acts such as folding paper airplanes become the lens through which we determine the value-the size-of human existence. Poems too small to read? I think not! Award-winning poet Jeremy Downes's infinitely large volume of obser-vations, cries from the heart, and wordplay gives us space to savor-from the tiniest moment to the most expansive consideration-what it is that poetry gives us." - Jeanie Thompson, author of The Seasons Bear Us
Recursive Desire
Recursive Desire rereads the epic tradition and specific epic poems in ways that challenge traditional notions of the genre and highlights its vital, shifting, polyvocal array (and disarray) of textual forces.
The Making of Memory in the Middle Ages
Memory in the Middle Ages has received particular attention in recent decades; yet; the topic remains difficult to grasp and the research on it rather fragmented. This book gathers particular case studies on memory in different parts of medieval Europe and in a variety of fields including literatures, languages, manuscript studies, history, history of ideas, philosophy, social history and art history. The studies address, on the one hand, memory as means of storing and recuperating knowledge (arts of memory and memory aids), and, on the other hand, memory as remembering and constructing the past (including the subject of forgetting). It should be useful to all interested in medieval culture, literature and history. Contributors are Milena Bartlová, Bergsveinn Birgisson, Irene Bueno, Vincent Challet, Greti Dinkova-Bruun, Lucie Doležalová, Dávid Falvay, Carmen Florea, Cédric Giraud, Laura Iseppi de Filippis, Farkas Gábor Kiss, Rüdiger Lorenz, Else Mundal, Előd Nemerkényi, William J. Purkis, Slavica Ranković, Lucia Raspe, Kimberly Rivers, Victoria Smirnova, Francesco Stella, Péter Tóth, Tamás Visi, Jon Whitman and Rafał Wójcik.
The Epic
Very Short Introductions: Brilliant, Sharp, Inspiring The epic is an ancient and universal form of artistic expression. Storytellers around the globe have long told of heroes who are touched by greatness and win lasting fame. These sprawling heroic tales convey the grandeur and pain of human life. They have been preserved for millennia in Sumerian clay tablets, Egyptian papyrus rolls, fragmentary manuscripts salvaged from European monasteries, oral traditions in Africa and Central Asia, and contemporary poetry and film. In this Very Short Introduction, Anthony Welch places the Western epic canon alongside traditional heroic poetry from Asia, Africa, and the Near East. Tracing shared themes a...
Violent Adventure
Questioning both the popular condemnation of violent representation and the notion that violence can be constructive by empowering the identity of an integrated adult self, Wesley identifies a revealing pattern of "violent adventure" in recent fiction by American men.
Ethical Sense and Literary Significance
This study blends together ethical philosophy, neurocognitive-evolutionary studies, and literary theory to explore how imaginative discourse addresses a distinctively human deep sociality, and by doing so helps shape cultural and literary history. Deep sociality, arising from an improbable evolutionary history, both entwines and leaves non-reconciled what is felt to be significant for us and what ethical sense seems to call us to acknowledge as significant, independent of ourselves. Ethical Sense and Literary Significance connects literary and cultural history without reducing the literary to a mere expression of something else. It argues that affective differences between non-egocentric and...
Renegade Poetics
"Beginning with a deceptively simple question--what do we mean when we designate behaviors, values, or forms of expression as "black"?--Evie Shockley's Renegade poetics teases out the more complex and nuanced possibilities the concept has long encompassed. She redefines black aesthetics descriptively, resituating innovative poetry that has been marginalized becuase it was not "recognizably black" and avant-garde poetry dismissed because it was"--Back cover.
A Companion to Poetic Genre
A COMPANION TO POETIC GENRE A COMPANION TO POETIC GENRE This eagerly awaited Companion features over 40 contributions from leading academics around the world, and offers critical overviews of numerous poetic genres. Covering a range of cultural traditions from Britain, Ireland, North America, Japan and the Caribbean, among others, this valuable collection considers ancient genres such as the elegy, the ode, the ghazal, and the ballad, before moving on to Medieval and Renaissance genres originally invented or codified by the Troubadours or poets who followed in their wake. The book also approaches genres driven by theme, such as the calypso and found poetry. Each chapter begins by defining the genre in its initial stages, charting historical developments and finally assessing its latest mutations, be they structural, thematic, parodic, assimilative, or subversive.
Epic
Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.
