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Television Producers
Covering all the major areas of television production, this in-depth work highlights the widely varying influences, difficulties and opportunities at work in the industry. Each kind of producer across the seven areas here examined faces the same practical issues of budget, talent and equipment resources, and end-product expectations; however, the self-image of the producers and the creative environment in which they work can differ greatly from one programming sector to the next, and whilst their careers may run parallel they are usually cut off from one another ideologically. Based on interviews from over two hundred and fifty producers working across a selection of British television channels as well as producers of a number of high-profile American shows, this book takes in a panoramic view of production models at work today and concludes with some insightful suggestions for the future.
Media Moguls
The emergence of a few powerful individuals in control of large sections of mass communication industries has coincided with world-wide media de-regulation. In the first book to take a close look at media moguls as a species, Jeremy Tunstall and Michael Palmer show how a handful of own-and-operate entrepreneurs run their empires with a highly eccentric and highly political management style. Individuals such as Berlusconi, Hersant, and Murdoch, in France, Germany, Italy, Britain and the US, are considered in the context of the changing European media industry. The book considers other, non-mogul trends: the emergence of a European media policy and a European-US-Japanese world media industry. Additional case studies focus on Reuters as a news-and-data super-agency and the part played by advertising and other media lobbies in shaping media policy.
Television Producers
This book is a result of over 250 interviews with producers which will not only provide academic interest but invaluable information to job applicants in the area Includes a discussion of the position of women as producers and the Birt revolution which will make it newsworthy and controversial Author has good media contacts he has already had work published by the Independent and Guardian Author is well known in media studies
The Media in Britain
British newspapers -- The Times, The Guardian, Daily Telegraph, and Financial Times -- have long been considered among the best in the world, and the BBC has become the world's most venerated television and radio organization. In this book Jeremy Tunstall, author of The Media are American, surveys British media since 1945, including television, radio, films, newspapers, and magazines, with the purpose of studying how they operate and what the future holds for them. In the course of the book he discusses such issues as the relationship of politics to the media, media audiences, media biases, control of the media by conglomerates, and policies for the future.
The Media Were American
In 1977, Jeremy Tunstall published the landmark The Media Are American. In it, he argued that while much of the mass media originated in Europe and elsewhere, the United States dominated global media because nearly every mass medium became industrialized within the United States. With this provocative follow-up, Tunstall chronicles the massive changes that have taken place in the media over the past forty years--changes that have significantly altered the "balance of power" within the global media landscape. The Media Were American demonstrates that both the United States and its mass media have lost their previous moral leadership. Instead of sole American control of the world news flow, we...
Journalists at Work
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Newspaper Power
"Newspaper Power" is based on 200 interviews with senior newspaper people in the 1990s. Jeremy Tunstall also studied pre-Murdoch Fleet Street and he makes illuminating comparisons between the 1960s and the 1990s.
Old and Alone
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The Anglo-American Media Connection
The Anglo-American media constitute one of the world's most familiar, and least analysed, alliances. For the United States media, this close connection with Britain is one of several unambiguous American international media trading advantages. For Britain the relationship is more ambiguous: in news and factual media Britain can realistically see itself as the world media number two, but across the broad range of entertainment Britain is closer to being a colonial dependency of Hollywood. Is Britain a Trojan Horse for American media in Europe? No more so than the other larger European countries which, like Britain, combine media nationalism with dependence on Hollywood. Margaret Thatcher, Fra...
