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A lucid and wide-ranging meditation on why photography is unique among the picture-making arts. Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.
In these essays Thompson--a professional photographer since 1973--explores the many-leveled relationship between seeing and thinking.
Through the evidence of trial and error in successive images and through his own word's, this book shows how Hunter Evans worked. The 747 photographs document chronologically his choice of subject and his lifelong technical experimentation.
Describes the last four years of the influential photographer's life, and shows examples of his work
African Independence highlights the important role Africa has played in recent history and the significant role it will continue to play in the future of America and the globe. In a world where much of the power and wealth remains concentrated in the hands of a very few people, this book looks at how the history of African independence has touched all people—from refugees to heads of state. Author Tukufu Zuberi weaves exclusive interview excerpts and stories from many Africans he has met with old newsreels, current news and reports, and research into a larger narrative that takes readers through key events in African history and shows their importance today. The book provides context for u...
Looks at David Smiths sculptural work
Mexican Texans, fighting for the Confederate cause, in their own words . . . The Civil War is often conceived in simplistic, black and white terms: whites from the North and South fighting over states’ rights, usually centered on the issue of black slavery. But, as Jerry Thompson shows in Tejanos in Gray, motivations for allegiance to the South were often more complex than traditional interpretations have indicated. Gathered for the first time in this book, the forty-one letters and letter fragments written by two Mexican Texans, Captains Manuel Yturri and Joseph Rafael de la Garza, reveal the intricate and intertwined relationships that characterized the lives of Texan citizens of Mexican...
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In 1971, Art in America published an interview with Walker Evans conducted by Leslie George Katz, writer and publisher of the Eakins Press. The interview is charming and illuminating in its clarity and candor. Nearing the end of his life, Evans speaks freely about his influences and how he got started as a photographer ("I was damn well going to be an artist and I wasn't going to be a businessman," he remembers), and reflects back on his work and his thinking. The interview has become legendary, consulted by curators, scholars and students for half a century and considered a definitive source for insights into the process, philosophy and personality of one of America's greatest photographers...
Earth, Sky, and Sculpture is at once a glorious celebration of natural beauty and a wide-ranging