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From Water to Wine explores how Angola has changed since the end of its civil war in 2002. Its focus is on the middle class—defined as those with a house, a car, and an education—and their consumption, aspirations, and hopes for their families. It takes as its starting point "what is working in Angola?" rather than "what is going wrong?" and makes a deliberate, political choice to give attention to beauty and happiness in everyday life in a country that has had an unusually troubled history. Each chapter focuses on one of the five senses, with the introduction and conclusion provoking reflection on proprioception (or kinesthesia) and curiosity. Various media are employed—poetry, recipes, photos, comics, and other textual experiments—to engage readers and their senses. Written for a broad audience, this text is an excellent addition to the study of Africa, the lusophone world, international development, sensory ethnography, and ethnographic writing.
SIGMUND "ZIGGY" BLISSMAN isn't the best-looking, sanest boy in the world. Far, far from it. But this misfit child of a failed husband-and-wife vaudeville team has one (and only one) thing going for him: He can crack people up merely by batting his eyelashes. And Vittorio "Vic" Fontana, the son of a fisherman, is a fraud. Barely able to carry a tune or even stay awake while attempting to, the indolent baritone (if that's what he is) has one thing going for him: Women love to look at him. On their own, they're failures. But on one summer night in the Catskills, they step onstage and together become the funniest men -- and the hottest act -- in America. Funnymen is the wildly inventive story of...
After centuries of colonial rule, the end of Angola’s three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President José Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angola’s capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the program—in conjunction with sweeping private investments in real estate—involved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The ...
In the pitch-perfect tradition of the very best of Nick Hornby, Martin Amis, and Christopher Buckley comes Slab Rat, a razor-sharp, highly comic novel of lethal ambition and office politics. Zachary Arlen Post is an up-and-coming editor at It magazine, one of the glossiest jewels in the glittery publishing crown of Versailles Publishing. The son of a well-regarded architect and an eccentric Palm Beach socialite, Zack was educated at an exclusive boarding school and has studied at Colgate, Berkeley, and Liverpool University. He is an excellent golfer and has a talent for translating Plautus from the original Latin. Or maybe not. He is really Allen Zachary Post, the son of a garment-center boo...
How evangelical churches in the United States convert migrant distress into positive religious devotion Why do migrants become more deeply evangelical in the United States and how does this religious identity alter their self-understanding? In the Hands of God examines this question through a unique lens, foregrounding the ways that churches transform what migrants feel. Drawing from her extensive fieldwork among Brazilian migrants in the Washington, DC, area, Johanna Bard Richlin shows that affective experience is key to comprehending migrants’ turn toward intense religiosity, and their resulting evangelical commitment. The conditions of migrant life—family separation, geographic isolat...
In this collection of case studies and stories from the field, South African scholars come together to trade stories on how to decolonise the university Shortly after the giant bronze statue of Cecil John Rhodes came down at the University of Cape Town, student protestors called for the decolonisation of universities. It was a word hardly heard in South Africa’s struggle lexicon and many asked: What exactly is decolonisation? This edited volume brings together the best minds in curriculum theory to address this important question. In the process, several critical questions are raised: Is decolonisation simply a slogan for addressing other pressing concerns on campuses and in society? What ...
Uganda's capital, Kampala, is undergoing dramatic urban transformations as its new technocratic government seeks to clean and green the city. Waste Worlds tracks the dynamics of development and disposability unfolding amid struggles over who and what belong in the new Kampala. Garbage materializes these struggles. In the densely inhabited social infrastructures in and around the city's waste streams, people, places, and things become disposable but conditions of disposability are also challenged and undone. Drawing on years of ethnographic research, Jacob Doherty illustrates how waste makes worlds, offering the key intervention that disposability is best understood not existentially, as a condition of social exclusion, but infrastructurally, as a form of injurious social inclusion.
This versatile volume combines examples of poetry from historical and contemporary masters with high school writing. Each chapter contains poems for reading aloud, poems for discussion, models for writing exercises, samples of student poems, and a bibliography for extended reading. Many teachers use Reading and Writing Poetry with Teenagers across disciplines. Writing exercises include: Animals as Symbols Family Portraits in Words Of War and Peace Writing Song Lyrics as an Expression of Social Protest
What role do science and technology play in society? What is the nature of expert knowledge? What is science’s relation to democracy? This introduction to science, technology, and society answers these questions, and more, by exploring contemporary research on topics such as expertise, activism, science policy, and innovation. It offers a comprehensive resource for considering the place that science and technology have in contemporary societies, and the roles that they can and should play. Accessible to a non-specialist audience, it draws on a rich range of cases and examples, from nuclear activism in India to content moderation in Kenya. Framing science as always social, and society as always shaped by science and technology, it asks: what worlds do we want science and technology to bring into being?
This book examines the Southern Indian Ocean corridor as a geographic, geological, and atmospheric space, taking a critical oceanic humanities approach while never losing sight of the land and water interface. Using a range of disciplinary approaches and materials, Gupta and de Araújo hydrate territorial and land-based imaginations of the Southern African region by conceptualizing its oceanicity as a fluid and more than human materiality, synthetic situation, and geopolitical nexus. With a diverse set of case studies, they explore a variety of conceptual framings and methodologies, including science-technology-society studies, tourism and heritage studies, history, and international relations (IRs) – among others. The contributors cover a complex and vast imaginative geography, cross-cutting Portuguese, German, and British colonial traces in the region, and exploring land, water, and submerged spaces, from coastal towns and bridges to islands and archipelagos. A fresh approach to thinking about Atlantic and Indian Ocean coastlines in a relational and scalar manner for scholars across a range of disciplines focussed on Southern Africa.