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This study offers fresh insight into the place of (non)violence within Jesus' ministry, by examining it in the context of the eschatologically-motivated revolutionary violence of Second Temple Judaism. The book first explores the connection between violence and eschatology in key literary and historical sources from Second Temple Judaism. The heart of the study then focuses on demonstrating the thematic centrality of Jesus’ opposition to such “eschatological violence” within the Synoptic presentations of his ministry, arguing that a proper understanding of eschatology and violence together enables appreciation of the full significance of Jesus’ consistent disassociation of revolution...
This book is about Jesus's perspective on violence, the ways this is demonstrated in his ministry, and its implications for Jesus's followers. It begins by examining the nature and role of violence within Second Temple Jewish eschatology. "Eschatological violence"--violence connected in some way with eschatological expectations--was an important factor in the world of Jesus and his contemporaries. Many believed that God's long-awaited deliverance was contingent on his people's taking up the sword against their oppressors, thus demonstrating their zealous allegiance to the covenant. In contrast, Jesus articulated and enacted a vision for God's reign in which violence was completely disassocia...
This book demonstrates that Jesus's rejection of violence and emphasis on peacemaking were central to the eschatological nature of his ministry of proclaiming and inaugurating the kingdom of God. To follow Jesus's teaching and example is to completely disassociate violence from the character of both the kingdom and all who belong to it.
This Companion offers a global, comparative history of the interplay between religion and war from ancient times to the present. Moving beyond sensationalist theories that seek to explain why 'religion causes war,' the volume takes a thoughtful look at the connection between religion and war through a variety of lenses - historical, literary, and sociological-as well as the particular features of religious war. The twenty-three carefully nuanced and historically grounded chapters comprehensively examine the religious foundations for war, classical just war doctrines, sociological accounts of religious nationalism, and featured conflicts that illustrate interdisciplinary expressions of the intertwining of religion and war. Written by a distinguished, international team of scholars, whose essays were specially commissioned for this volume, The Cambridge Companion to Religion and War will be an indispensable resource for students and scholars of the history and sociology of religion and war, as well as other disciplines.
The nine essays that make up this volume provide cutting-edge studies of how sacred tradition is given new expression through vision and interpretation. The first four essays focus on the expansion of the sacred tradition primarily through vision. The evolution of the Solomon legacy, from wise king to healer and exorcist, is explored, as well as its contribution to the demonology of the desert fathers, especially as it concerns eroticism and sexual temptation. The varied receptions of the Revelation of the Magi and Shepherd of Hermas are also considered. The remaining five essays address important questions relating to polemic and violence in the Pseudepigrapha. How does the author of the Liber Antiquitatum Biblicarum justify God's alternating judgment and favor? How does Enoch's Animal Apocalypse make use of the Exodus tradition in its expression of deliverance? On what basis can the author of Qumran's War Scroll confidently predict Israel's vindication? And finally, what accounts for the appearance of the tradition of Gehenna, in which the wicked will meet their fiery end?
For the past hundred years, much has been written about the early editions of Christian texts discovered in the region that was once Roman Egypt. Scholars have cited these papyrus manuscripts--containing the Bible and other Christian works--as evidence of Christianity's presence in that historic area during the first three centuries AD. In Early Christian Books in Egypt, distinguished papyrologist Roger Bagnall shows that a great deal of this discussion and scholarship has been misdirected, biased, and at odds with the realities of the ancient world. Providing a detailed picture of the social, economic, and intellectual climate in which these manuscripts were written and circulated, he revea...
The formation of the Book of the Twelve is one of the most vigorously debated subjects in Old Testament studies today. This volume assembles twenty-four essays by the world’s leading experts, providing an overview of the present state of scholarship in the field. The book’s contributors focus on questions of method, history, as well as redactional and textual history.
O Que Você Precisa Saber Poucos assuntos despertam reações tão fortes quanto política. Em época de eleição, as emoções afloram. Mas, afinal, como ela surgiu? Qual é o melhor regime político? O que diz a Bíblia sobre a política? É possível ser político sem comprometer a fé? Que tipo de candidato merece seu voto? O que a visão escatológica bíblica tem que ver com política? Sistemas políticos. Democracia. Exercício do poder. Voto consciente. Política e religião. Igreja e estado. Liberdade religiosa. Polarização. Imperialismo. Filosofia da história. Essas são algumas questões que este livro discute com sensibilidade e equilíbrio. Ao lê-lo, você terá a oportunidade de enxergar a política por uma nova perspectiva. Seja você político, eleitor ou um estudioso do tema, sua visão será enriquecida pelo instigante mosaico de dados, análises e histórias desta obra singular
The field of 'art and religion' is fast becoming one of the most dynamic areas of religious studies. Uniquely, "The Art of the Sacred" explores the relationship between religion and the visual arts - and vice versa - within Christianity and other major religious traditions. It identifies and describes the main historical, theological, sociological and aesthetic dimensions of 'religious' art, with particular attention to 'popular' as well as 'high' culture, and within societies of the developing world. It also attempts to locate, and predict, the forms and functions of such art in a changing contemporary context of obligation, modernity, secularism and fundamentalism. The author concentrates on four chief dimensions where religious art and religious belief converge: the iconographic; the didactic; the institutional; and the aesthetic. This clear, well-organised and imaginative treatment of the subject should prove especially attractive to students of religion and visual culture, as well as to artists and art historians.
In the New Testament texts, there is significant tension between Jesus's nonviolent mission and message and the apparent violence attributed to God and God's agents at the anticipated end. David Neville challenges the ready association between New Testament eschatology and retributive vengeance on christological and canonical grounds. He explores the narrative sections of the New Testament--the Gospels, Acts, and Revelation--with a view to developing a peaceable, as opposed to retributive, understanding of New Testament eschatology. Neville shows that for every narrative text in the New Testament that anticipates a vehement eschatology, another promotes a largely peaceable eschatology. This work furthers the growing discussion of violence and the doctrine of the atonement.