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Exploring alternative conceptions of the divine, Jessica Eastwood considers the ways of believing in God that are authentic and sincere, moving beyond traditional metaphysical structures that many find difficult to accept. In this study, she examines a unique branch of religious non-realism known as religious fictionalism, making the case for its ability to resonate on an intellectual and emotional level. Considering the extent to which fictionalism allows us to make sense of the role of religion in our spiritual lives, she presents its limitations on adhering to what might be an attractive contemporary model for philosophy of religion called 'the humane turn'. Articulating an alternative conception of God that we can relate to in an intellectual, emotional and spiritual way, Eastwood sheds light on a minimalist form of religious realism, which preserves the reality of God without committing the theist to a host of additional religious beliefs.
Intersectionality in the Arts Psychotherapies advocates for contextualising of clinical thinking and experience within a social and political framework that acknowledges the importance of intersectionality. Bringing reflections on their own identity and their professional knowledge to the work, creative therapists address both practical work with clients and the theory behind these therapeutic practices. A call to reflexivity allows the reader to consider their own position as a practitioner. These chapters will challenge and develop thinking on intersectional identities. Beyond the individual, the book demonstrates the need to embed knowledge of intersectionality in the profession at large. Experienced practitioners write from diverse perspectives across the arts psychotherapies, exploring how structures of power, privilege and prejudice influence practice and outcomes.
Exploring alternative conceptions of the divine, Jessica Eastwood considers the ways of believing in God that are authentic and sincere, moving beyond traditional metaphysical structures that many find difficult to accept. In this study, she examines a unique branch of religious anti-realism known as religious fictionalism, making the case for its ability to resonate on an intellectual and emotional level. Considering the extent to which fictionalism allows us to make sense of the role of religion in our spiritual lives, she presents its limitations on adhering to what might be an attractive contemporary model for philosophy of religion called 'the humane turn'.Articulating an alternative conception of God that we can relate to in an intellectual, emotional and spiritual way, Eastwood sheds light on a minimalist form of religious realism, which preserves the reality of God without committing the theist to a host of additional religious beliefs.
This book is the first treatment at length of negative, or apophatic, theology within the analytic tradition. Apophatic theology holds that there is a significant sense in which we cannot say what God is. Important negative theological elements are present in a host of Christian thinkers, from Gregory of Nyssa to Aquinas, and yet apophaticism is neglected in philosophical theology as practiced within the analytic tradition. By contrast, Hewitt shows how apophatic theology is integral to how Christians have thought about God, and how it can be defended against standard attacks in the philosophical literature. Hewitt diagnoses the unease with apophaticism amongst contempory philosophical theologicans as rooted in a certain picture of how language functions, here called referentialism. Arguing that this picture is not compulsory, an account of language which sits more comfortably with negative theology (originating from work of later Wittgenstein) is invoked, and applied to key themes in philosophical theology including divine personhood, the Trinity, the Incarnation and the afterlife.
Miss Faith Hamilton was sent from America to England to find a proper husband among the cream of the upper-class crop. But the beautiful Miss Hamilton had her own notion of what she sought; freedom from the wants and whims of any man, and from the enslavement that amorous enticement would surely breed. For Lord Barnabas Deal, society’s most renowned rake, Faith was a quarry he could not resist. For the elegant and witty Earl of Methley, whose mountain of debts was as towering as his august title, the American heiress was the ideal answer to both his financial and physical needs. Never was a young lady courted by two such seductive suitors—and never was a young lady so determined not to surrender…
The book offers a definitive study of the development of Kant's conception of the highest good, from his earliest work, to his dying days. Insole argues that Kant believes in God, but that Kant is not a Christian, and that this opens up an important and neglected dimension of Western Philosophy. Kant is not a Christian, because he cannot accept Christianity's traditional claims about the relationship between divine action, grace, human freedom and happiness. Christian theologians who continue to affirm these traditional claims (and many do), therefore have grounds to be suspicious of Kant as an interpreter of Christian doctrine. As well as setting out a theological critique of Kant, Insole o...
Copies of lists and indexes from the Public Record Office, London, and other British public archives.
Copies of lists and indexes from the Public Record Office, London, and other British public archives.