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The story of Wynwood Walls is one of change through passion, art and community. When Tony Goldman stumbled upon the expanse of stock warehouse buildings in Miami's Wynwood neighborhood, he saw a blank canvas. In 2009, the celebrated visionary set out to transform the area into a center for cultural exploration--with the help of the world's most innovative and recognized street artists. Walls of Change: The Story of The Wynwood Walls is a rediscovery of a decade of art, inspiration and innovation, with Wynwood's most celebrated murals, featuring never-before-seen photography of The Walls' development, and special commentary from street art's most iconic figures, including Shepard Fairey, Maya Hayuk, Kenny Scharf, Ron English, and current curators Jessica Goldman Srebnick and the Goldman family, among others. In just ten years, The Wynwood Walls has grown into a phenomenon in its own right, known as a milestone in artists' careers, with an ability to catapult unknowns and veterans alike. Under the leadership of CEO Jessica Goldman Srebnick, The Wynwood Walls has become one of the highest profile street art destinations in the world, welcoming over three million visitors annually.
This study focuses on street art and large-scale murals in metropolitan Miami/Dade County, while also foregrounding the diasporic and aesthetic interventions made by migrant and second-generation artists whose families hail from the Caribbean and Latin America. Jana Evans Braziel argues that Caribbean and Latinx street artists define and visually mark the city of Miami as a diasporic, transnational urban space. These artists also help define Miami as a cosmopolitan city, yet one that is also a distinctly Caribbean and Latinx urban space, and simultaneously resist but also (at times reluctantly) participate in the forces of gentrification and urban re/development, particularly through the myriad and complex ways in which street art contributes to city branding and art tourism. The book will be of interest to scholars working in art history, urban studies, American studies, and Latin American/Caribbean studies.
Lost, forgotten, reimagined, and transformed: the compelling beauty of abandoned, reinvented, and rescued architecture This book captures the awe-inspiring drama of abandoned, forgotten, and ruined spaces, as well as the extraordinary designs that can bring them back to life – demonstrating that reimagined, repurposed, and abandoned architecture has the beauty and power to change lives, communities, and cities the world over. The scale and diversity of abandoned buildings is shown through examples from all around the world, demonstrating the extraordinary ingenuity of their transformation by some of the greatest architectural designers of the 20th and 21st centuries.
The American Jewish Year Book, which spans three different centuries, is the annual record of the North American Jewish communities and provides insight into their major trends. Part I of the current volume contains the lead article: Chapter 1, “Pastrami, Verklempt, and Tshoot-spa: Non-Jews’ Use of Jewish Language in the US” by Sarah Bunin Benor. Following this chapter are three on domestic and international events, which analyze the year’s events as they affect American Jewish communal and political affairs. Three chapters analyze the demography and geography of the US, Canada, and world Jewish populations. Part II provides lists of Jewish institutions, including federations, commun...
In ancient times older women were the keepers of primal mysteries and were revered for their special wisdom: today there is a feeling that our culture is reawakening to the power of our elders. Joyce Tenneson presents 80 portraits of women aged 65 to 100, who comment on their experiences of ageing.
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This Thirty-Fourth Edition of ANNUAL EDITIONS: THE FAMILY provides convenient, inexpensive access to current articles selected from the best of the public press. Organizational features include: an annotated listing of selected World Wide Web sites; an annotated table of contents; a topic guide; a general introduction; brief overviews for each section; a topical index; and an instructor’s resource guide with testing materials. USING ANNUAL EDITIONS IN THE CLASSROOM is offered as a practical guide for instructors. ANNUAL EDITIONS titles are supported by our student website, www.mhcls.com/online.
Examines the influence of twentieth-century avant-garde movements on the contemporary architectural landscape through the work of “disruptors” such as Frank Gehry, Rem Koolhaas, and Zaha Hadid. With an irregular format designed by celebrated graphic designer Abbott Miller of Pentagram. In Architecture Unbound, noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970...
Imagine a world where there are no building codes, no licensing requirements, no permit fees, no inspectors—no rules or regulations, only common sense and the desire to build something better. This is the world that forged America, the land where the early pioneers and town developers thrived. But this type of open environment is long gone. It's prohibitively expensive for young entrepreneurs to start a business today. In fact, it is almost impossible to build anything unless you are part of a larger organization that has the expertise and resources to navigate the system. Our municipal, state, and federal codes, from business permitting and OSHA compliance to occupational licenses and tax...
Every graffiti writer began his or her writing career with a tag. For those who learn to read tags, a world of aesthetic expression and communication opens up. Tags are a universal language - the jazz of lettering. The photos in Tag Town, dating back to the 1960s, introduce readers to the origins of New York style graffiti, containing rare photos of work on the street by Jean-Michel Basquiat, Keith Haring and Kenny Scharf. Accompanying text is based on interviews with New York graffiti pioneers Blade, Part I and Snake I.