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Subway Art
During the 1970s and 80s, photographers Martha Cooper and Henry Chalfant captured the environment and the imagination of a generation by documenting the burgeoning New York City graffiti movement. Now 25 years and more than a half a million copies later, their bestselling book Subway Art is available in a large-scale, deluxe format heightening the visual impact of their classic images. With 70 additional photographs, and a fresh introduction and afterword, this collector's edition illustrates the passion, creativity and resourcefulness of unlikely kids inventing an art form destined to spread worldwide and spawn the present-day street art movement.
Street Play
Martha Cooper's photos take us through the Alphabet City of the late 70s as the area was about to undergo extensive urban renewal -- a process that is still continuing today. At the time, the neighborhood had more than its share of drug dealers and petty criminals, and the landscape seemed ugly and forbidding. But to the children who grew up there, the abandoned buildings and rubble-strewn lots made perfect playgrounds, providing raw materials and open space for unsupervised play. A crumbling tenement housed a secret clubhouse, rooftops became private aviaries, and a pile of trash might be a source for treasure.
Tag Town
Every graffiti writer began his or her writing career with a tag. For those who learn to read tags, a world of aesthetic expression and communication opens up. Tags are a universal language - the jazz of lettering. The photos in Tag Town, dating back to the 1960s, introduce readers to the origins of New York style graffiti, containing rare photos of work on the street by Jean-Michel Basquiat, Keith Haring and Kenny Scharf. Accompanying text is based on interviews with New York graffiti pioneers Blade, Part I and Snake I.
Spray Nation
Culled from the extensive archives of one of the most renowned graffiti photographers of all time comes this remarkable collection of previously unpublished images of New York’s graffiti scene in the 1980s. If you were a graffiti writer in 1980s New York City, you wanted Martha Cooper to document your work—and she probably did. Cooper has spent decades immortalizing art that is often overlooked, and usually illegal. Her first book, 1984’s Subway Art (a collaboration with Henry Chalfant), is affectionately referred to by graffiti artists as the “bible”. To create Spray Nation, Cooper and editor Roger Gastman pored through hundreds of thousands of 35mm Kodachrome slides, painstakingly selecting and digitizing them. The photos range from obscure tags to portraits, action shots, walls, and painted subway cars. They are accompanied by heartfelt essays celebrating Cooper’s drive, spirit, and singular vision. The images capture a gritty New York era that is gone forever. And although the original pieces (as well as many of their creators) have been lost, these powerful photos feel as immediate as a subway train thundering down the tracks.
Hip Hop Files
Collection of Cooper's photos documenting the birth of hip-hop in New York; includes interviews with Cooper, her subjects, and other participants in the scene.
Kodak Girl
This book tells the remarkable story of the Kodak Girl, one of the most durable and successful marketing campaigns in advertising history. Created by George Eastman, inventor of the inexpensive hand-held camera, the Kodak Girl traces the intersection of American culture with photography as it evolved from a studio-bound practice to a snapshot obsession for the masses. Martha Cooper's extensive collection of Kodak Girl material ranges from advertising, by Kodak and other camera manufacturers, to photographs from all periods, engravings, trading cards, matchbooks as well as commemorative stamps and Valentine's Days cards. This rich collection considers the relationship of the Kodak Girl to the birth of the snapshot during the late nineteenth to the mid-twentieth centuries, and is accompanied by two essays on the seminal role of women - on both sides of the camera - in photography's early history.
Tokyo Tattoo 1970
In 1970, as a young photographer, Martha Cooper moved from the USA to Tokyo and became fascinated with Irezumi, the art of Japanese tattooing. Searching for an artist, she found Horibun I, a respected master working in the traditional Okachimachi District of Tokyo. Forbidden in Japan for nearly 80 years, Irezumi in 1970 was an art form strictly for those in the know. For some months Horibun I allowed Cooper to follow and photograph him working. The photos, untouched for 40 years, have finally found their way into a book that tells both the story of Irezumi in 1970, and of Martha Cooper's first adventure into a subculture--Publisher's description.
New York State of Mind
In 1975, New York City was bankrupt. Crime was at an all-time high, street muggings were commonplace, buildings were crumbling, entire neighborhoods were abandoned by landlords as residents fled to the suburbs and the government could care less. Here is a documentary of the embattled but irresistable urban mecca.
Jane Cooper
For her five volumes of poetry over the course of her career, Jane Cooper (1924–2007) was deeply admired by her contemporaries, and teaching at Sarah Lawrence College for nearly forty years, she served as a mentor to many aspiring poets. Her elegant, honest, and emotionally and formally precise poems, often addressing the challenges of women’s lives—especially the lives of women in the arts—continue to resonate with a new generation of readers. Martha Collins and Celia Bland bring together several decades’ worth of essential writing on Cooper’s poetry. While some pieces offer close examination of Cooper’s process or thoughtful consideration of the craft of a single poem, the vo...
Brooklyn Street Art
A collection of color photographs that showcase the street art of Brooklyn, New York.
