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Propaganda and the Jesuit Baroque
In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar pas...
Jesuits and Fortifications
This book sheds light on the role of Jesuit mathematicians in the widespread dissemination of ideas about military architecture in the seventeenth and eighteenth centuries, by means of teaching, writings and consultancy activities aimed at assisting Catholic leaders in their wars against protestants and infidels.
Jesuit Art and Czech Lands, 1556–1729
This collection examines how the Society of Jesus used art and architecture in its missionary efforts in the Lands of the Bohemian Crown from the sixteenth century to the eighteenth. The Jesuits used a variety of visual media to re-invigorate the cult of miraculous images, saints, and local Catholic customs in the Central European region, where a tradition of religious dissent went back to the legendary Hussites of the 15th century. Jesuit art is seen as resulting from the transfer, local adaptation, and visualization of ideas about image theology, the order's global mission, its self-promotion, and the construction of the religious past. Examining the architecture, statues, images, murals, and decorative programs of Jesuit complexes and other visual media (devotional prints, medieval images), the essays here demonstrate how the Jesuit Order cultivated the subjects and functions of art to promote concepts of Catholic piety as they grew into one of the most successful agents of Catholic Reform in the Bohemian kingdom.
Jesuit Art
In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540–1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a ‘Jesuit style’ is rehabilitated as an inquiry into sources for a spectrum of works, the Society’s investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.
The Archaeology of the Jesuit Missions in Ethiopia (1557–1632)
One of the earliest and most ambitious projects carried out by the Society of Jesus was the mission to the Christian kingdom of Ethiopia, which ran from 1557 to 1632. In about 1621, crucial figures in the Ethiopian Solomonid monarchy, including King Susenyos, were converted to Catholicism and up to 1632 imposing missionary churches, residences, and royal structures were built. This book studies for the first time in a comprehensive manner the missionary architecture built by the joint work of Jesuit padres, Ethiopian and Indian masons, and royal Ethiopian patrons. The work gives ample archaeological, architectonic, and historical descriptions of the ten extant sites known to date and includes hypotheses on hitherto unexplored or lesser known structures.
Jesuit Foundations and Medici Power, 1532–1621
Jesuit Foundations and Medici Power, 1532–1621 focuses on the cooperation between two new foundations, the last Medici state and the Society of Jesus, spanning nearly a century, concentrating on the Jesuit foundations in Florence, Siena, and Montepulciano. As the Medici built and centralized their power in the Grand Duchy of Tuscany, they sought to control both the civic and religious behavior of their citizens. They found partners in the Jesuits, whose educational program helped establish social order and maintain religious orthodoxy. Via a detailed investigation of both minor and major Italian Jesuit colleges, and of multiple Medici rulers, Kathleen M. Comerford provides insight into church/state cooperation in an age in which both institutions underwent significant changes.
Art on the Jesuit Missions in Asia and Latin America, 1542-1773
Through a sweeping look at Jesuit activities in Japan, China, Mughul India, and Paraguay, Bailey finds evidence of artistic hybridization as a means of communication and argues in favour of a paradigm of artistic exchange.
