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Narito na ang "Taludtod Umaatungal, Linyang Aangal," isang koleksyon ng mga tula na naglalaman ng masinsinang pagninilay sa mga saloobin, lalung-lalo na pagdating sa pag-ibig at poot. Ito ay inedit ko ng may pag-iingat at baka kako masyado itong makapanakit o makapagbigay ng ligaya sa mambabasa. Ang aklat na ito ay ang unang bahagi lamang ng Call for Submissions o CFS na "Poems of Love and Hate" na inyong sinalihan. Iyon bagang mga tula na nasa malayang taludturan o free verse lamang. Ang ibang mga bahagi ng CFS ay ilalathala rin sa hiwalay na aklat. Sa aklat na ito, lalahok tayo sa isang malalim at makahulugang paglalakbay sa mundo ng puso at isipan ng tao. Mula sa mga saloobin ng pag-ibig ...
Sa bawat madilim na sulok ng silid, may mga anino na nagmamasid sa atin, nagtatago sa ilalim ng ating mga kama. Kung minsan ay nasa loob mismo ng iyong kuwarto o sa inyong bahay, at ang masaklap ay kasa-kasama mo sa iyong buong buhay. Ang mga nilalang na ito ay tila hindi mapanganib kung kaya't nilalang lang ng madla. Ngunit ang totoo, sila'y kahindik-hindik at kung minsa'y karumaldumal; sila’y galing sa mga kuwentong ating isinasantabi sa madilim na bahagi ng ating mga isip. Ang koleksiyong ito ay tila isang salamin na nagbibigay-liwanag sa mga itinatago nating takot. Bakit kailangang basahin ang aklat na ito? Sapagkat sa bawat pahina, matutuklasan mo ang mga kuwento ng mga nilalang na nakakapit sa ating mga panaginip at palakad-lakad sa ating mga guniguni. Ang mga kuwentong ito ay naglalaman ng mga aral at babala na makakatulong sa iyo upang mabuhay, upang hindi na muling masaktan... ng mga nilalang na nagsisilbing tagabantay ng iyong mga pinakamimithi at pinapangarap. Huwag magpabaya. Basahin mo na ang aklat na ito, o sa susunod na gabi, maaaring wala ng pag-asang matulog ng mapayapa sa kadiliman. Ang mga nilalang na nilalang lang nila ay naghihintay! - W. J. Manares, patnugot
Carolina Maria de Jesus (1914-1977), nicknamed Bitita, was a destitute black Brazilian woman born in the rural interior who migrated to the industrial city of Sao Paulo. This is her autobiography, which includes details about her experiences of race relations and sexual intimidation.
Carolina Maria de Jesus' book, Quarto de Despejo (The Trash Room), depicted the harsh life of the slums, but it also spoke of the author's pride in her blackness, her high moral standards, and her patriotism. More than a million copies of her diary are believed to have been sold worldwide. Yet many Brazilians refused to believe that someone like de Jesus could have written such a diary, with its complicated words (some of them misused) and often lyrical phrasing as she discussed world events. Doubters prefer to believe the book was either written by Audáulio Dantas, the enterprising newspaper reporter who discovered her, or that Dantas rewrote it so substantially that her book is a fraud. W...
Molecular Toxicology is the first volume of a three-volume set Molecular, Clinical and Environmental Toxicology that offers a comprehensive and in-depth response to the increasing importance and abundance of chemicals in daily life. By providing intriguing insights far down to the molecular level, this work covers the entire range of modern toxicology with special emphasis on recent developments and achievements. It is written for students and professionals in medicine, science, public health and engineering who are demanding reliable information on toxic or potentially harmful agents and their adverse effects on the human body.
This book traces the feminist engagement with soap opera using sources from programme publicity to interviews with scholars. It reveals that scholarship on soap opera was a significant site from which the identity feminist intellectual was produced.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the middle of the seventeenth century, Bohdan Khmelnytsky was the legendary Cossack general who organized a rebellion that liberated the Eastern Ukraine from Polish rule. Consequently, he has been memorialized in the Ukraine as a God-given nation builder, cut in the model of George Washington. But in this campaign, the massacre of thousands of Jews perceived as Polish intermediaries was the collateral damage, and in order to secure the tentative independence, Khmelnytsky signed a treaty with Moscow, ultimately ceding the territory to the Russian tsar. So, was he a liberator or a villain? This volume examines drastically different narratives, from Ukrainian, Jewish, Russian, and Polish literature, that have sought to animate, deify, and vilify the seventeenth-century Cossack. Khmelnytsky's legacy, either as nation builder or as antagonist, has inhibited inter-ethnic and political rapprochement at key moments throughout history and, as we see in recent conflicts, continues to affect Ukrainian, Jewish, Polish, and Russian national identity.
A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.