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An affecting collection of contemporary Chinese photography responding to the monumental encroachment of urban development across the country This timely book documents the phenomenon of rapid and transformative urbanization in China through the work of thirty-one of the country’s most talented art photographers. Capturing both the remnants of widespread demolition and constant, massive new development, these insiders have captured the new Chinese reality—an “era without memories”—brought on by the expansive urban transformation. In four thematic chapters, An Era Without Memories offers a varied and thought-provoking kaleidoscope of imagery depicting every aspect of urban living, f...
Fulfilling a need for an accessible, affordable introduction to a subject of sustained and growing significance in contemporary culture, this volume in the World of Art series redefines contemporary Chinese art in the last forty years since the end of Chinas Cultural Revolution, placing it in the context of unprecedented cultural, political and urban transformation. This book offers neither an art historians chronological review of Chinese art in post-Mao China, nor does it join the debate of previous terminologies coined by art critics; instead, it provides the most up-to-date understanding of contemporary Chinese art through original research and informed curatorial perspectives on the selected representative work, including painting, printmaking, sculpture, photography, installation, video, performance and participatory art. It is about art, but it is also about China; and thus is not about the past, but also about the present - the truly contemporary.
Jiang Jiehong seeks to understand the Covid-19 pandemic through interviews with leading figures of the Chinese art world during the summer of 2020. In late 2019, as a deadly pandemic began to take hold, China's Wuhan province was the first to feel the effects. As the virus spread, the streets and squares of the world emptied, and the structures of our social world were redefined. In response to the pandemic, Jiang Jiehong convened in-conversation talks with twelve figures--such as Chen Danqing, Pi Li, Xiang Biao, and Zhang Peili, among others--from different disciplines in the Chinese-speaking world, including anthropology, architecture, art, curation, fashion, film, literature, media, museu...
Jiang Jiehong seeks to understand the Covid-19 pandemic through interviews with leading figures of the Chinese art world during the summer of 2020. In late 2019, as a deadly pandemic began to take hold, China's Wuhan province was the first to feel the effects. As the virus spread, the streets and squares of the world emptied, and the structures of our social world were redefined. In response to the pandemic, Jiang Jiehong convened in-conversation talks with twelve figures--such as Chen Danqing, Pi Li, Xiang Biao, and Zhang Peili, among others--from different disciplines in the Chinese-speaking world, including anthropology, architecture, art, curation, fashion, film, literature, media, museu...
This book consists of six papers by the scholars and the artists in China and in the UK, discussing contemporary Chinese art with the influence from the Chinese Cultural Revolution.
No destruction, no construction - The red sun - The red sea - The red art - The art of China's Cultural Revolution.
China has emerged as the next frontier for contemporary art. Chinese artists, such as Zhang Xiaogang, Yue Minjun, Wang Guangyi, and Shen Shaomin, are producing some of today’s most provocative new work. With China set to host the world at the 2008 Beijing Olympics and the 2010 Shanghai World’s Fair, enthusiasm for recent Chinese art continues to grow. This volume fills an important gap and provides badly needed context for the collector or connoisseur. Charles Saatchi, one of the savviest figures in the contemporary art scene, has built an unparalleled collection of new Chinese art which is presented here in glorious color reproduction on the eve of the opening of the new Saatchi Gallery in London’s Chelsea. Not only is this the seminal book on the subject, it is the first book to bring contemporary Chinese art into focus.
Exploring how the universal visual language of geometric abstraction was influenced by different societies, this volume also demonstrates how the movement's revolutionary aesthetic continues to impact culture around the globe. It traces a century of abstract art from 1915 to the present day, celebrating the accomplishments of both men and women and includes sculpture, film, photography and painting. Organised around four distinct themes - communication, architectonics, utopia and everyday life - the book presents a chronological survey from Russia to Europe, the Middle East, Southeast Asia, Central America, Africa, South America, and the US. Each of the 100 works is featured in double-page spreads with brief artist biographies. Essays by Tanya Barson, Briony Fer, Tom McDonough, and Joshua Jiang, contextualize the various geographic and aesthetic stages of the development of geometric abstraction.
Chapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution decode the rhetoric of China's turbulent decade. The many illustrations in the book, some familiar and some never seen before, also offer new insights into works that have transcended their times."--BOOK JACKET.
Through the perspective of the ‘conformed body’, this groundbreaking book examines the role in art of everyday conformist practices in the People’s Republic of China, such as mass assemblies and bodily trainings and exercises, as well as their impact on people’s perceptions and collective memories. It identifies related artworks, reassesses artistic interpretations with critical reflections, and explores a key origin of artistic productions in post-Mao China. Featuring 200 colour illustrations, the book discusses works by more than 30 internationally acclaimed Chinese contemporary artists, including Ai Weiwei, Geng Jianyi, Song Dong, Xu Bing, Zhang Peili and Zhang Xiaogang.