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This book examines the emotions expressed in Hausa women's prose fiction in northern Nigeria, showing how Hausa Muslim women writers use fiction in their indigenous language to demonstrate and express their anger about the problems they face in a patriarchal society. Umma Aliyu Musa shows how Hausa women authors use literature as a subversive instrument to voice their anger and draw attention to their plight, and what they perceive to be unfair traditional authority in a male-dominated society. Their stories about women protagonists who rebel against existing traditional structures enable women readers to understand the anger experienced by other women who have gone through similar situation...
Introducing poetry, prose, songs and theatre from Nigeria, this engaging volume blends translated extracts with a rich commentary on the historical development and modern context of this hugely creative culture. Examining imaginative prose-writing, the tale tradition, popular song, Islamic religious poetry and modern TV drama amongst other topics, this is a clear and accessible book on a literary culture that has previously been little-known to the English-speaking readership.
Alhaji Sir Ahmadu Bello, the Premier of the Northern Region of Nigeria, was thought by many to be the most powerful figure in Nigeria. The descendant of the great reformer, Shehu Usuman dan Fodio, the Sardauna grew up in the atmosphere of the Muslim and aristocratic tradition of the Fulani conquerors of Northern Nigeria. He reached maturity in a Nigeria that was rapidly advancing towards independent nationhood, with political institutions deriving largely from the traditions of the Christian West. As leader of the Northern Peoples Congress, the majority political party in Northern Nigeria, the Sardauna became the first Premier of that region in 1954.
Based on a corpus of 150 tales from the many towns and villages in the main Hausa states of Northern Nigeria. The author examines the stability of the form of the tales and variations in relation to narrative freedom and constraints, narrative performance techniques, the use of song, specialised vocabulary and audience enjoyment. He identifies the major themes and moral categories of the tales, and plot structure. The tales are shown to be a potent medium of preserving and transmitting traditional values, and a dynamic contemporary art form, despite the presence of alternative means of communication, and other cultural presences in Northern Nigeria. They are discussed in English translation in the main body of the work, and the original language versions are fully transcribed in the appendices.
A family saga, written by the first Federal Prime Minister of Nigeria. It focuses on the struggles of Umar and his mother, and describes Umar's dramatic journey across the desert with a slave caravan. It provides a glimpse into the lives of women and children in a black Islamic society.
First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.