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A daring hybrid work that investigates the relationship between the individual and the institution
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The author's deftly woven book-length poem questions the existence of universal individual rights such as speech and citizenship, especially in relation to borders--both national and linguistic.stic.
In this riveting and timely collection of essays, interviews, and photographs, 17 contemporary innovative poets weigh in on pressing environmental concerns
Poetry. A second collection, and first from Shearsman, by this Brooklyn-based poet, artist and small-press publisher. While TORCHWOOD documents the loss of a religion and at times, the loss of language, it gathers hope as it goes. The mostly serial works in this collection explore the possibility of faith in humanity--colleagues, classmates, strangers, lovers--attempting a language of clear-seeing and shared spirit. A poetry of inner and outer worlds, of the diary and of the subway, TORCHWOOD moves between the sentence and its trust in storytelling, and the fragment--evidence of the need to create silence in order to tell. "In Jill Magi's TORCHWOOD, various forms are employed, including a se...
Poetry. "Allows observation, love, memory, confusion, and explanation to intermix and play"--Juliana Spahr. "Regions of cultural conflict and reconnection...the syntax that delves there is sincere and soft as well as gritty..."--Brenda Iijima. Jill Magi is author of the chapbook Cadastral Map (Portable Press at Yo-Yo Labs), as well as several self-published handmade books. Her visual art, poetry, and prose have appeared in The Brooklyn Rail, Jacket, CutBank Poetry, NEW REVIEW OF LITERATURE, AUFGABE, CHAIN, and Pierogi Press. Jill was awarded a recent residency with the Lower Manhattan Cultural Council Workspace program and teaches literature and writing at City College and The New School. She lives in Brooklyn and is editor of Sona Books.
"One of the best introductions to Gertrude Stein's work I've ever read. Joan Retallack's research is thorough and impressive, and she has done an outstanding job of assembling a valuable and interesting collection of Stein's writings."—Hank Lazer, author of Lyric & Spirit “This exquisitely edited volume of Gertrude Stein's writings is far more informative than the usual 'selected works.' Out of the immense opus that Stein produced over a long and prolific career, Joan Retallack has chosen telling pieces, so as to show both the extraordinary thematic, generic, and stylistic variety, and the coherence of her life's work. Meanwhile, Retallack's delightful and informative introduction can st...
On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all o...
This lavish book documents the developments in the field of fiber-related art over the past half century. The 1960s saw a revolution in fiber art. Where once the focus was on knotting, twining, and coiling thread into works that were immediately recognizable, and therefore connected to utilitarian crafts, fiber artists of the later 20th-century began to experiment with abstract forms that were closer to sculpture than craft. Influenced by postmodernist ideas, these works are the product of experimentation with materials and technique while at the same time confronting important cultural issues. This book traces that development from the mid-twentieth century to the present. In the words of B...
When The Quest for Christa T. was first published in East Germany ten years ago, there was an immediate storm: bookshops in East Berlin were given instructions to sell it only to well-known customers professionally involved in literary matters; at the annual meeting of East German Writers Conference, Mrs Wolf's new book was condemmed. Yet the novel has nothing eplicity to do with politics.