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An invaluable guide to small-cast, one-act plays, describing more than 2,200 plays.
The Bell System dominated telecommunications in the United States and Canada for most of the twentieth century, but its monopoly was not inevitable. In the decades around 1900, ordinary citizens—farmers, doctors, small-town entrepreneurs—established tens of thousands of independent telephone systems, stringing their own wires to bring this new technology to the people. Managed by opportunists and idealists alike, these small businesses were motivated not only by profit but also by the promise of open communication as a weapon against monopoly capital and for protection of regional autonomy. As the Bell empire grew, independents fought fiercely to retain control of their local networks an...
A world list of books in the English language.
This book covers the familiar themes in medical anthropology, but places them in a unique perspective. Using a "fabric" metaphor, The Social Fabric of Health weaves together relationships, bodies, feelings, narratives, idea, material support, and institutions in the human experience of health, illness, and healing. In addition to the unique "fabric" perspective the book brings to the subject of medical anthropology, it also brings another unique perspective to thissubject: Using signs-an approach commonly known as semiotics-the text formulates the nuances between the subjective realm of individual experience and the more objective, public world of symbols, codes, and laws
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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
This book explores the development of Robert Lepage’s distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage’s productions. Productions discussed include The Dragon’s Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage’s original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century.