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An innovative study of two of England’s most popular, controversial, and influential writers, Father and Son breaks new ground in examining the relationship between Kingsley Amis and his son, Martin Amis. Through intertextual readings of their essays and novels, Gavin Keulks examines how the Amises’ work negotiated the boundaries of their personal relationship while claiming territory in the literary debate between mimesis and modernist aesthetics. Theirs was a battle over the nature of reality itself, a twentieth-century realism war conducted by loving family members and rival, antithetical writers. Keulks argues that the Amises’ relationship functioned as a source of literary inspiration and that their work illuminates many of the structural and stylistic shifts that have characterized the British novel since 1950.
"The more it costs, the less it's worth." (Student slogan, London, 2003) "We are told that this world represents our best hope for intellectual vitality and creativity. We are also told that we should pay more to enter it and experience its rich resources. Yet those rich resources are increasingly marginalized by cultures of assessment and regulation, the heavy costs of which (both financial and intellectual) are to be carried by students. Increasingly students are being asked to pay for the costs of the regulation of higher education rather than education itself. Access to Higher Education has become more widely available: the implications of that change are the concern of this book." Mary Evans
At the outset of the twentieth century, the management of the British countryside was the preserve of powerful aristocratic estates, the ground worked by labourers toiling in time-honoured tradition. Scattering Plenty tells of the birth of modern farming through wartime, post-war reconstruction and four decades embroiled in European countryside policies. It follows the stories of key figures driving change; as the face of the countryside evolves, it charts their fight for nature and natural beauty, and traces the gradual control that the state and democratic agents had on the land. Their stories evoke the landscape of Britain, and take the reader inside the corridors of power in Whitehall and Brussels, where farmers and environmentalists jostled for influence. Who were the people scattering plenty across our land, and who made the modern countryside? In Scattering Plenty, you'll gain a deeper appreciation for the profound legacy of agriculture in shaping Britain's past, present and future, as Jim Dixon delves into the lives of those who shaped the modern countryside and made space for the deeply rooted bucolic haven that millions enjoy today.
Presents a cookbook featuring stories and recipes from some of America's most prominent pastors, including such recipes as country-fried pork chops, potato corn chowder, cheese grits, marinated grilled chicken, and herb-roasted salmon.
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Since the 1950s Kingsley Amis has been one of the most popular novelists in Britain. This book shows us the real Amis. Amis's novels remind us that fiction can be as engaging and immediate as television and film, but also that the medium of language is more effective than either of these in its ability to consume our anxieties, doubts and pleasures.
Exploring the fate of the ideal of the English gentleman once the empire he was meant to embody declined, Praseeda Gopinath argues that the stylization of English masculinity became the central theme, focus, and conceit for many literary texts that represented the "condition of Britain" in the 1930s and the immediate postwar era. From the early writings of George Orwell and Evelyn Waugh to works by poets and novelists such as Philip Larkin, Ian Fleming, Barbara Pym, and A. S. Byatt, the author shows how Englishmen trafficking in the images of self-restraint, governance, decency, and detachment in the absence of a structuring imperial ethos became what the poet Larkin called "scarecrows of chivalry." Gopinath's study of this masculine ideal under duress reveals the ways in which issues of race, class, and sexuality constructed a gendered narrative of the nation.
The Beatles are probably the most photographed band in history and are the subject of numerous biographical studies, but a surprising dearth of academic scholarship addresses the Fab Four. New Critical Perspectives on the Beatles offers a collection of original, previously unpublished essays that explore 'new' aspects of the Beatles. The interdisciplinary collection situates the band in its historical moment of the 1960s, but argues for artistic innovation and cultural ingenuity that account for the Beatles' lasting popularity today. Along with theoretical approaches that bridge the study of music with perspectives from non-music disciplines, the texts under investigation make this collection 'new' in terms of Beatles' scholarship. Contributors frequently address under-examined Beatles texts or present critical perspectives on familiar works to produce new insight about the Beatles and their multi-generational audiences.