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The Lifespan of a Fact
NOW A BROADWAY PLAY STARRING DANIEL RADCLIFFE 'Provocative, maddening and compulsively readable' Maggie Nelson In 2003, American essayist John D'Agata wrote a piece for Harper's about Las Vegas's alarmingly high suicide rate, after a sixteen-year-old boy had thrown himself from the top of the Stratosphere Tower. The article he delivered, 'What Happens There', was rejected by the magazine for inaccuracies. But it was soon picked up by another, who assigned it a fact checker: their fresh-faced intern, and recent Harvard graduate, Jim Fingal. What resulted from that assignment, and beyond the essay's eventual publication in the magazine, was seven years of arguments, negotiations, and revisions...
The Lifespan of a Fact
Now a Broadway Play. An innovative essayist and his fact-checker do battle about the use of truth and the definition of nonfiction. How negotiable is a fact? In 2003, after publishing his book of experimental essays, Halls of Fame, John D’Agata was approached by Harper’s magazine to write an essay for them, one that was eventually rejected due to disagreements related to its fact checking. That essay which eventually became the foundation of D’Agata’s critically acclaimed About a Mountain was accepted by another magazine, the Believer, but not before they handed it to their own fact-checker, Jim Fingal. What resulted from that assignment, and beyond the essay’s eventual publication...
The Lifespan of a Fact
Based on the book by John D’Agata and Jim Fingal. Jim Fingal is a fresh-out-of-Harvard fact checker for a prominent but sinking New York magazine. John D’Agata is a talented writer with a transcendent essay about the suicide of a teenage boy—an essay that could save the magazine from collapse. When Jim is assigned to fact check D’Agata’s essay, the two come head to head in a comedic yet gripping battle over facts versus truth.
About a Mountain
Named One of the 100 Best Nonfiction Books Written by the New York Times Magazine, a Publishers Weekly Best Book of the Year, and a New York Times Editors' Choice. When John D'Agata helps his mother move to Las Vegas one summer, he begins to follow a story about the federal government's plan to store nuclear waste at Yucca Mountain; the result is a startling portrait that compels a reexamination of the future of human life.
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Writing for The New Yorker
Original critical essays on an iconic American periodical, providing new insights into twentieth-century literary cultureThis collection of newly commissioned critical essays reads across and between New Yorker departments, from sports writing to short stories, cartoons to reporters at large, poetry to annals of business. Attending to the relations between these kinds of writing and the magazine's visual and material constituents, the collection examines the distinctive ways in which imaginative writing has inhabited the 'prime real estate' of this enormously influential periodical. In bringing together a range of sharply angled analyses of particular authors, styles, columns, and pages, thi...
Political Humility
This book aims to change the way we think about politics, talk about politics, and vote. It does this in two ways. First, it shows it’s impossible for a Republican, Democrat, or voter in any political party to possess a significant level of knowledge of facts that would help their party secure or maintain political power. It calls this knowledge “political knowledge” and shows how unfeasible it is for anyone to have it. Second, it explains how we might best be politically engaged, given that we have virtually no political knowledge. To argue that it is impossible for any person to possess a significant amount of political knowledge, the book depends on two empirically verified facts. T...
The Fine Art of Literary Fist-Fighting
An account of the emergence of creative nonfiction, written by the “godfather” of the genre In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers. Creative nonfiction—true stories enriched by relevant ideas, insights, and intimacies—offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened ...
