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Welsh Sea Kayaking
A selection of fifty great sea kayak voyages around the coast of Wales. From the Dee Estuary to the Bristol Channel, the Welsh coastline in all its varied guises provides a fantastic playground for the sea kayaker. The fifty journeys selected cover all of the interesting parts of the coast and provide easy sheltered paddles, testing offshore trips for the adventurous and everything in between. Illustrated with superb colour photographs and useful maps throughout, this book is a practical guide to help you select and plan trips. It will provide inspiration for future voyages and a souvenir of journeys undertaken. As well as providing essential information on where to start and finish, distances, times and tidal information, the book does much to stimulate and inform our interest in the environment we are passing through. It is full of facts and anecdotes about local history, geology, scenery, seabirds and sea mammals. A fascinating read and an inspirational book.
The Strong, Silent Type
Many of the stars of silent westerns were young horse wranglers who left the open fields to make extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. More than 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Art Acord, Broncho Billy Anderson, Harry Carey, Fred Cody, Bob Custer, Jack Daugherty, William Desmond, William Duncan, Dustin Farnum, William Farnum, Hoot Gibson, Neal Hart, William S. Hart, Jack Holt, Jack Hoxie, Buck Jones, J. Warren Kerrigan, George Larkin, Leo Maloney, Ken Maynard, Tim McCoy, Tom Mix, Pete Morrison, Jack Mower, Jack Perrin, William Russell, Bob Steele, Fred Thompson, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with more than 300 movie stills.
A Bloody and Barbarous God
A Bloody and Barbarous God investigates the relationship between gnosticism, a system of thought that argues that the cosmos is evil and that the human spirit must strive for liberation from manifest existence, and the perennial philosophy, a study of the highest common factor in all esoteric religions, and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. Mundik argues that McCarthy continually strives to evolve an explanatory theodicy throughout his work, and that his novels are, to a lesser or greater extent, concerned with the meaning of human existence in relation to the presence of evil and the nature of the divine.
Hubbell Trading Post
For more than a century, trading posts in the American Southwest tied the U.S. economy and culture to those of American Indian peoples—and in this capacity, Hubbell Trading Post, founded in 1878 in Ganado, Arizona, had no parallel. This book tells the story of the Hubbell family, its Navajo neighbors and clients, and what the changing relationship between them reveals about the history of Navajo trading. Drawing on extensive archival material and secondary literature, historian Erica Cottam begins with an account of John Lorenzo Hubbell, who was part Hispanic, part Anglo, and wholly brilliant and charismatic. She examines his trading practices and the strategies he used to meet the challen...
McCarthy and the Coens: The Novel versus the Film No Country for Old Men: The Moral Framework of the Novel and the Film
This book offers an original perspective on the narrative in the film and the novel No Country for Old Men, it also gives a good account on the issue of fidelity that plays an important role in the analysis of the relationship between the film adaptation and its source text, observing whether the Coens have not eradicated the novel’s complex and allegorical essence. The narrative analysis in the book as well involves an observation of the narrator’s point-of-view and its reliability. Besides, the book undeniably proves that the relation of narrative time and narrative space is vital in the comparison of the film adapatation and its source text. The contents of the book may serve as a valuable source for aspiring students and researchers in the area of literary and film studies.
The God Debaters
This book examines the post-9/11 God debate in the West. Through a close study of prominent English God debaters Richard Dawkins, Karen Armstrong, Christopher Hitchens, and Terry Eagleton, Adrian Rosenfeldt demonstrates that New Atheist and religious apologist ideas and arguments about God, science, and identity are driven by mythic autobiographical narratives and Protestant or Catholic cultural heritage. This study is informed by criticism of the New Atheist polemic as being positivistic, and the religious apologists as propagating “sophisticated theology.” In both cases, the God debaters are perceived as disassociating themselves from human lived experience. It is through reconnecting the God debaters’ intellectual ideas to their cultural and social background that the God debate can be grounded in a recognisable human reality that eludes reductive distinctions and disembodied abstractions.
