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Ancient and Early Medieval Chinese Literature (vol. 2)
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Two contains S to Xi.
Belief, History and the Individual in Modern Chinese Literary Culture
A value system in constant change; a longing for stability amid uncertainties about the future; a new consciousness about the unlimited challenges and aspirations in modern life: these are themes in modern Chinese literature that attract the attention of overseas readers as well as its domestic audience. They also provide Chinese and foreign literary researchers with complex questions about human life and achievements that search beyond national identities for global interaction and exchange. This volume presents ten outstanding essays by Chinese and European scholars who have undertaken such exchange for the purpose of examining the individual and society in modern Chinese literature.
Sidetracks
A lyrical masterpiece by the renowned poet with a “Whitman-like rhetorical immensity coupled with a passionately eccentric sensibility” (Carol Muske Dukes, Los Angeles Times) Sidetracks, Bei Dao’s first new collection in almost fifteen years, is also the poet’s first long poem and his magnum opus—the artistic culmination of a lifetime devoted to the renewal and reinvention of language. “As a poet, I am always lost,” Bei Dao once said. Opening with a prologue of heavenly questions and followed by thirty-four cantos, Sidetracks travels forward and backward along the divergent paths of the poet’s wandering life—from his time as a Young Pioneer in Beijing, through the years of ...
Doubt, Time and Violence in Philosophical and Cultural Thought
As the title of the present publication suggests, the ten essays of this book try to approach an inconvenient trauma of global human reality and the uniformity of media and cyberspace in which human lives suffer harm, loss of inner identity and of broader meaning. Indeed, our postmodern and post-identity times are characterized by a flux of rapid social changes, uncertainty, vague and shaking moral values, by violence and frightening information with its contradictory truths and genuine ambiguity; finally by the violence of unpredictable climate change resulting in various and frequent calamities and devastation of life. Doubt and time are the central concern of modern philosophy and remind us that violence is inherent in the human condition and that reflection on it, regardless of different cultural sensibilities, is ipso facto part of the mainstream of our individual and global concerns. These, and many other fascinating topics from Western and Chinese history, were explored and brought to light by a learned forum of distinguished scholars and experts whose contributions are contained in this publication.
Baudelaire in China
Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly ...
Parallels, Interactions, and Illuminations
The first major work in Sino-Western comparative semiotics, Parallels, Interactions, and Illuminations is a trans-disciplinary and intercultural effort that makes intellectual connections not only across such diverse academic fields as epistemology, anthropology, linguistics, sociology, and cultural studies but also between Chinese and Western theories of the sign in the conviction that they can shed light on one another. In this groundbreaking work, Ersu Ding studies two traditions of semiotic realism, represented by Plato and Husserl in the West and by Mo Zi and Ouyang Jian in China. They share two fundamental assumptions with regard to meaning: that there exist ultimate qualities of things and states of affairs in the extrasemiotic world and that the meanings of words or other types of sign are derivatives of these essentials. A pioneering work that remains extraordinarily accessible, Parallels, Interactions, and Illuminations explores a wide range of issues, including inter-subjective negotiation of meaning, the relationship between metaphor and culture, and the production and dissemination of myths.
China and the West at the Crossroads
Beginning with a retrospective of the past century, this book offers a panoramic picture of Chinese comparative literature, from its nascence in the early 1920s, through its evolution in the 1980s, to the new development at the turn of the century, ending with a prospective look at the future of comparative literature in the 21st century. The articles presented here reveal the author’s deep understandings of the literature and culture of her own country and those of other countries. A rich array of case studies and in-depth theorizing make it an extremely interesting and enlightening read. Prof. Daiyun Yue is a prominent professor at Peking University and a leading figure in Chinese compar...
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Responsabilité et cultures du monde
Cet ouvrage regroupe onze contributions d'auteurs du monde entier qui se sont penchés sur la notion de responsabilité dans leur pays.Dans une première partie, Edith Sizoo effectue une analyse comparée de ces textes qui reflètent des cultures et des traditions très variées : harmonie avec la terre et éthique relationnelle en Nouvelle-Zélande, approche juridique en France, individualisme au défi du devoir collectif aux États-Unis, devoir et responsabilité sur les rives du Congo, responsabilité et pensée confucéenne en Chine, nécessité de retrouver un sens à la responsabilité en Allemagne. Ce livre présente une vision interculturelle de la responsabilité d'autant plus intéressante que les auteurs ont véritablement dialogué avant d'aboutir aux textes finaux. Ils ont ainsi rendu leurs points de vue respectifs plus explicites et accessibles aux autres cultures.
Responsibility and Cultures of the World
This book brings together eleven contributions by authors from all parts of the world who have examined the notion of responsibility in their respective countries. In the first part Edith Sizoo presents a comparative analysis of those texts which reflect a rich variety of worldviews and traditions: harmony with the earth and relational ethics in the Maori culture of New Zealand, juridical approach in France, responsibility in Confucian thinking in China, individualism in the face of collective duty in the United States, duty and responsibility on the shores of the Congo, responsibility in Arab Islamic culture, encountering the sense of responsibility in Germany... This book thus presents an intercultural vision of responsibility that is all the more interesting because the final texts are the outcome of an intense dialogue between the authors. This exchange enhanced a more explicit expression of their respective points of view, thus making these more accessible to people from other cultural backgrounds.
