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The Epitome of Queen L_l_vat_
The second volume of Jina·ratna's thirteenth-century The Epitome of Queen Lilávati completes his story. Embodied souls undergo all too human adventures in a succession of lives, as they advance to final release. The primary purpose of Jain narrative literature was to edify lay people through amusement; consequently the stories are racy, and in some cases the moralizing element is rather tenuous. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
The Epitome of Queen Lilavati
A pro-Jainish tale of anti-violence translated in this handsome bi-lingual (English-Sanskrit) volume.
The Epitome of Queen Lilavati
The Epitome of Queen Lilávati tells the stories of the lives of a group of souls as they pass through a series of embodiments on their way to final liberation from the continual cycle of death and rebirth. Told as a means to promote the non-violent ethic of Jainism, it abounds in memorable incidents and characters, such as Dhana, the rich merchant who attempted to justify cheating in trade, Padmaratha, who while invisible attempted to seduce the ladies of the royal household, and Vasundhara, the bogus holy man who was caught in a compromising position with a female dog. Written in 1297 CE by the Jain poet-monk Jina·ratna, The Epitome of Queen Lilávati is undeservedly almost unknown outside India. In the stories, embodied souls undergo all too human adventures in a succession of lives, as they advance to final release. The book abounds in memorable incidents and characters, related to Queen Lilávati and her husband, King Simha, by the teacher-monk Sámara·sena. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Ārādhakamūrti/Adhiṣṭhāyakamūrti
Many aspects of Medieval Western Indian temple art have been the subject of scholarly attention. One type of temple-image which has been identified but heretofore unstudied is the portrait. This study brings together evidence of more than 200 images of historical lay people and ascetics from the medieval temples of Gujarat and Rajasthan. The author emphasizes Jain specimens, but also includes a number of notable Hindu examples. However, it is the evidence of the Jain portraits that is by far the most significant. This book provides some startling insights into the beliefs and practices of the Śvetāmbara sect of Jainism in a period from about the 12th to 17th centuries. The analysis of lay ...
Visual Research Methods
Visual Research Methods: Image, Society, and Representation addresses the growing question in social research of how to critically incorporate visual data and visual methodologies in ways that expand and enhance the researcher′s repertoire for understanding and teaching about the social world. Editor Gregory C. Stanczak crisscrosses disciplines in ways that highlight the multiple manifestations of this newer interdisciplinary trend. Beyond methodological interests, the rich diversity of subject matter provides this volume′s pedagogical punch. Key Features Provides a valuable framework for classroom use and comparative analysis: Organized around three themes in visual research—methodolo...
History of Classical Sanskrit Literature
The present work is an analytical account of classical Sanskrit literature in its historical perspective. It is divided into six books, containing several chapters, each dealing with a particular branch of Sanskrit learning. The work is full of references; the footnotes refer to a variety of sources, legendary, inscriptional, numismatic, architectural and literary. The writer has exploited all the relevant material of the journals, catalogues, annals, reports and other documents in discussing the vexed problems of the date, place, genealogy of the authors and the literary tendencies of their compositions. His methodology of literary criticism is rationalistic and bears the stamp of the modern scientific age. The elaborate index, the critical introduction, the exhaustive bibliography, the list of abbreviations, the table of transliteration and a supplement are the most useful additions to this interesting and instructive work of literary history.
Indian Kavya Literature
It is multi-volume series work. The main pupose of this work is literary criticism, evaluating a great tradition of literature and to present comprehensive study of sanskrit literature. So far 6 volumes have been published. Each volume presents literature itself in successive periods of its development. Volume VI continues the exploration of Indian Literature (Kavya) into the eleventh century, from Padmagupta and Atula to Hilhana and Manovinoda. In the eleventh century besides what seems to be the culminating point of the storytelling tradition (Bhoja, Ksemendra, Somadeva, etc.), there are a number of surviving long novels, bu Soddhala, Jinesvara, Dhanesvara and Vardhamana. Even epics (e.g. ...
