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This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.
"In the late tenth and eleventh centuries, a group of people known in Western and Japanese scholarship as the Tangut established an independent regime in the Ordos (present-day Ningxia, Shaanxi, Gansu, and Inner Mongolia). It quickly grew into the Xia empire, a multiethnic, multilingual state whose ruling dynasty, a people ethnically and linguistically related to Tibetans, adapted elements of Chinese and Inner Asian statecraft, culture, and religion. Xia continued to grow in prominence, and its people became renowned throughout Asia as devout Buddhists. An imperial state was formally born in 1038 and chronicled its existence up to 1227, when it was finally crushed in Chinggis Khan's last campaign." "The Great State of White and High is the first book-length treatment in English of Tangut Xia history. Exhibiting a mastery of languages, Ruth Dunnell has produced a pioneering, systematic study using primary and secondary sources in Tangut and Chinese to reconstruct early imperial Xia history from the inside."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This volume, the result of an international collaboration of forty scholars, provides a comprehensive resource on Esoteric Buddhism and the Tantras in their Chinese, Korean, and Japanese contexts from the first few centuries of the common era to the present.
This open access book details the relationship between the artist and their created works, using tools such as information technology, computer environments, and interactive devices, for a range of information sources and application domains. This has produced new kinds of created works which can be viewed, explored, and interacted with, either as an installation or via a virtual environment such as the Internet. These processes generate new dimensions of understanding and experience for both the artist and the public’s relationships with the works that are produced. This has raised a variety of interdisciplinary opportunities and issues, and these are examined. The symbiotic relationship ...
Dunhuang studies refer to a discipline focusing on Dunhuang Manuscripts, Dunhuang grotto art, the theory of Dunhuang studies, and Dunhuang history and geography. It is a broad subject of studying, excavating, sorting, and protecting the cultural relics and documents in the Dunhuang area of China. The General Theory of Dunhuang Studies explores the basic concept of Dunhuang studies. It presents a more comprehensive and systematic study of six aspects of Dunhuang, covering the background of Dunhuang studies in orientalism, the history of Dunhuang, Dunhuang grotto art, the scattering of Dunhuang cultural relics, Dunhuang manuscripts, and the history of Dunhuang studies, and discussing and summa...
"Book and Multimedia Publishing Committee; David Baltensperger, chair ... [et al.]."
The main objective of CSAIT 2013 is to provide a forum for researchers, educators, engineers and government officials involved in the general areas of Computational Sciences and Information Technology to disseminate their latest research results and exchange views on the future research directions of these fields. A medium like this provides an opportunity to the academicians and industrial professionals to exchange and integrate practice of computer science, application of the academic ideas, improve the academic depth. The in-depth discussions on the subject provide an international communication platform for educational technology and scientific research for the world's universities, engineering field experts, professionals and business executives.
The authors consider new views of the classical versus vernacular dichotomy that are especially central to the new historiography of China and East Asian languages. Based on recent debates initiated by Sheldon Pollock’s findings for South Asia, we examine alternative frameworks for understanding East Asian languages between 1000 and 1919. Using new sources, making new connections, and re-examining old assumptions, we have asked whether and why East and SE Asian languages (e.g., Chinese, Manchu, Mongolian, Jurchen, Korean, Japanese, and Vietnamese) should be analysed in light of a Eurocentric dichotomy of Latin versus vernaculars. This discussion has encouraged us to explore whether European modernity is an appropriate standard at all for East Asia. Individually and collectively, we have sought to establish linkages between societies without making a priori assumptions about the countries’ internal structures or the genealogy of their connections. Contributors include: Benjamin Elman; Peter Kornicki; John Phan; Wei Shang; Haruo Shirane; Mårten Söderblom Saarela; Daniel Trambaiolo; Atsuko Ueda; Sixiang Wang.
Drawing on Dunhuang manuscripts and the latest scholarship in Dunhuang and Buddhist Studies, this translation analyzes Buddhist monasticism via such topics as the organizational forms of Dunhuang Buddhist monasteries, the construction and operation of ordination platforms, ordination certificates and government ordination licenses, and meditation retreats, etc. Assuming a pan-Asian perspective, the monograph also made trailblazing contributions to the study of Buddhist Sinicization and Sino-Indian cultural exchanges and is bound to exert long-lasting influences on the worldwide academic study of Buddhism.
Bringing together leading authorities in the fields of Chinese and Tibetan Studies alike, Chinese and Tibetan Esoteric Buddhism engages cutting-edge research on the fertile tradition of Esoteric Buddhism (also known as Tantric Buddhism). This state of the art volume unfolds the sweeping impact of esoteric Buddhism on Tibetan and Chinese cultures, and the movement's role in forging distinct political, ethnical, and religious identities across Asia at large. Deciphering the oftentimes bewildering richness of esoteric Buddhism, this broadly conceived work exposes the common ground it shares with other Buddhist schools, as well as its intersection with non-Buddhist faiths. As such, the book is a major contribution to the study of Asian religions and cultures. Contributors are: Yael Bentor, Ester Bianchi, Megan Bryson, Jacob P. Dalton, Hou Chong, Hou Haoran, Eran Laish, Li Ling, Lin Pei-ying, Lü Jianfu, Ma De, Dan Martin, Charles D. Orzech, Meir Shahar, Robert H. Sharf, Shen Weirong, Henrik H. Sørensen, and Yang Fuxue and Zhang Haijuan.