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Motor System and Motor Diseases: From Molecules to Circuits
Movement is the basis for many forms of behaviors, and is tightly controlled by a hierarchical system containing cerebral cortex, basal ganglia, cerebellum, brainstem, and spinal cord. Each level of this hierarchy contributes to motor planning, motor initiation, motor execution, and motor coordination, respectively. However, they all receive continuous sensory inputs and generate accurate sensorimotor integrations that are necessary for both predictive and reflexive/servo controls of movements. The motor system contains various types of neurons with different morphological, neurochemical and electrophysiological properties, which are significantly dependent on many intracellular signaling mo...
CCDI Architecture
A comprehensive monograph of this practice, ranked the fastest-growing firm in China.
Ben Cao Gang Mu, Volume I, Part A
Volume I is divided into two parts. Part A of volume 1 in the Ben cao gang mu series offers a translation of chapters 1 and 2 and portions of chapter 3. Chapters 1 and 2 are devoted to introducing the history of materia medica. Chapter 3 is devoted to pharmaceutical drugs for diseases. Chapter 3 is continued, along with chapter 4, in part B of volume I. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
Theoretical Thermotics
This book focuses on theoretical thermotics, the theory of transformation thermotics and its extended theories for the active control of macroscopic thermal phenomena of artificial systems, which is in sharp contrast to classical thermodynamics comprising the four thermodynamic laws for the passive description of macroscopic thermal phenomena of natural systems. The book covers the basic concepts and mathematical methods, which are necessary to understand thermal problems extensively investigated in physics, but also in other disciplines of engineering and materials. The analyses rely on models solved by analytical techniques accompanied with computer simulations and laboratory experiments. This book serves both as a reference work for senior researchers and a study text for zero beginners.
GB/T 3799-2021 Translated English of Chinese Standard. (GBT3799-2021)
This document specifies the basic requirements, main component requirements, assembly requirements, completion inspection requirements, test methods and quality assurance for vehicle engines overhaul. This document applies to the engines of passenger vehicles and goods vehicles, which are fueled by gasoline and diesel, that have been overhauled and left out of the factory; it is used as a reference for engines that use other types of fuels.
On Telling Images of China
The essays in this volume address a diverse range of issues in China’s narrative art and visual culture mainly from the Ming dynasty (1368–1644) to the present. These studies attend to the complex ways in which images circulate in pictorial media and across boundaries between ‘high art’ and popular culture—images in paintings, prints, stone engravings and posters, as well as in film and video art. In addition, the authors examine the roles of ancient exemplary stories and textual narratives, as well as their reiteration in the visual arts in early modern and modern social and political contexts. The volume is divided into three sections: Representing Paradigms, Interpreting Literary Themes and Narratives, and the Medium and Modernity. While the essays in each section deal with concerns in the field of China’s art history, an editors’ introduction serves to position the topic of narrative art and to introduce definitions and genre issues which run through the book. As a whole, the volume invites reflection on the intrinsic nature of narratives and their pictorial lives, and presents new research which challenges established views and paradigms.
