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New Directions in Jewellery
Featuring over 80 makers who are pushing the boundaries of traditional jewellery design, this title includes seminal figures such as Gerda Flöckinger, Peter Chang and Arline Fisch, as well as emerging makers such as Daisuke Sakaguchi, Anna Osmer Andersenand Kayo Saito.
Mixed Media Jewellery
A highly-illustrated how-to-do-it book incorporating a thorough introduction to a range of materials and techniques as well as a section on designing your own pieces. The focus is on experimenting and combining exciting materials to create unique and individual work.
Designer
None
Unique by Design: Contemporary Jewelry in the Donna Schneier Collection
"Studio jewelry dissolves the modern distinction between decorative and fine arts. The 60 pieces in this lively volume, collected by Donna Schneier and donated to The Metropolitan Museum of Art, were created primarily from the early 1960s to the present day and show a fluid engagement with various traditions in jewelry-making--from old masterworks to contemporary pieces--as well as various 20th-century art movements such as Conceptual art, Arte Povera, and Surrealism. Unique by Design draws attention to these dazzling small works of art, most of which have never before been published. Although these pieces incorporate a variety of materials, ranging from the precious to the ordinary, they share some common traits that reflect the collector's tastes: wit, elegance, fantasy, imagination, social observation, and technical virtuosity. Above all, these works were made to be worn and to create a dynamic engagement with a body." -- Publisher's website.
Dwell
None
Exhibiting Craft and Design
Exhibiting Craft and Design: Transgressing the White Cube Paradigm investigates the firmly-established manner in which craft and design have typically been presented by museums and galleries, what strategies curators have employed throughout the twentieth century, and especially in more recent years how exhibiting design and craft objects challenges the notion of the modernist White Cube display paradigm.
Contemporary
None
Craft is Political
Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live. Just as John Ruskin and William Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalization, is overdue. A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicized craft.
