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Gelbard's autobiographical account of her affair with the legendary jazz musician.
The story of the final recordings of one of the greatest jazz musicians of the twentieth century
An intimate story of Miles Davis, the man, the musician, and his friendship with the young journalist and poet Quincy Troupe--soon to be a major motion picture. Poet, activist and journalist Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an engrossing chronicle of the author's own artistic and personal growth. Miles and Me describes in intimate detail the sometimes harrowing processes of Davis's spectacular creativity and the joys and travails Davis's passionate and contradictory temperament posed to the two men's friendship. Miles and Me shows how Miles Davis, both as an artist and as a black man, influenced Troupe and whole...
Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography,Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist,...
Presents an in-depth exploration of the musician's controversial electric period and the impact it had on the jazz community, as drawn from firsthand recollections about his artistic and personal life. Reprint.
Miles Davis was one of the crucial influences in the development of modern jazz. His Kind of Blue is an automatic inclusion in any critic's list of the great jazz albums, the one record people who own no other jazz records possess, and still sells 250,000 copies a year in the US alone. But Miles regularly changed styles, leaving his inimitable impact on many forms of jazz, whether he created them or simply developed the work of others, from modal jazz to be-bop, his seminal quintet and his big-band work, to the jazz funk experiments of later years. Miles not only knew and worked with everyone who was anyone in jazz, from Coltrane to Monk, he was a friend of Sartre's, lover of Juliette Greco ...
Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography,Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist,...
This book is open access under a CC BY 4.0 license. It constitutes a unique source of knowledge and guidance for all healthcare workers who care for patients with sepsis and septic shock in resource-limited settings. More than eighty percent of the worldwide deaths related to sepsis occur in resource-limited settings in low and middle-income countries. Current international sepsis guidelines cannot be implemented without adaptations towards these settings, mainly because of the difference in local resources and a different spectrum of infectious diseases causing sepsis. This prompted members of the Global Intensive Care working group of the European Society of Intensive Care Medicine (ESICM)...
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How artists created an aesthetic of “positive barbarism” in a world devastated by World War II, the Holocaust, and the atomic bomb In Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the massive devastation of World War II, the Holocaust, and the atomic bomb. Inspired by the notion that modernist art can teach us how to survive a civilization become barbaric, Foster examines the various ways that key figures from the early 1940s to the early 1960s sought to develop a “brutal aesthetics” adequate to the destruction around them. With a focus on the philosopher Georges Bataille, the painters Jean ...