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Miles and Jo
Gelbard's autobiographical account of her affair with the legendary jazz musician.
The Last Miles
The story of the final recordings of one of the greatest jazz musicians of the twentieth century
The Register of the Great Seal of Scotland A.D. 1609-1620
Reprint of the original, first published in 1892.
The Hearing Eye
The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists. There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Völz) and Jean-Michel Basquiat (Robert Farris Thompson),...
