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"Marshall and Leimenstoll have researched Day's remarkable life and work thoroughly, identifying a great quantity of his known and attributed furniture and interior woodwork, finding myriad published sources for his design elements, and examining a wide range of documents to trace his career and describe his world. Their research, along with the wealth of images of Day's unique furniture and interiors, constitutes a book of major, lasting value. "Catherine Bishir, author of North Carolina Architecture "This book, featuring the story and workmanship of Thomas Day, a free man of color in slaveholding North Carolina, is a fascinating addition to the corpus of literature concerning the anomalies...
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
Surveying the past, present and future of historic preservation in America, this text features 15 essays by some of the most eminent voices in the field, essays which highlight the principle ideas and events that have shaped and continue to shape the movement.
During the twentieth century, three industries-tobacco, textiles, and furniture-dominated the economy of North Carolina. The first two are well known and documented, being the subject of numerous books, movies, and articles. In contrast, the furniture industry has been mostly ignored by historians, although, at its height, it was nearly as large and influential as these other two concerns. Furniture companies employed thousands of workers and shaped towns, culture, and local life from Hickory to Goldsboro. Sawdust in Your Pockets: A History of the North Carolina Furniture Industry is the first survey of the state's furniture industry from its cabinetmaking beginnings to its digital present. ...
The extraordinary life and work of architect Amaza Lee Meredith, and the role modernism and material culture played in the aspiring Black American middle class of the early twentieth century. Amaza Lee Meredith Imagines Herself Modern tells the captivating story of Amaza Lee Meredith, a Black woman architect, artist, and educator born into the Jim Crow South, whose bold choices in both life and architecture expand our understanding of the Great Migration and the Harlem Renaissance, while revealing the importance of architecture as a force in Black middle-class identity. Through her charismatic protagonist, Jacqueline Taylor derives new insights into the experiences of Black women at the fore...
In Earline’s Pink Party Elizabeth Findley Shores sifts through her family’s scattered artifacts to understand her grandmother’s life in relation to the troubled racial history of Tuscaloosa, Alabama. A compelling, genre-bending page-turner, Earline’s Pink Party: The Social Rituals and Domestic Relics of a Southern Woman analyzes the life of a small-city matron in the Deep South. A combination of biography, material culture analysis, social history, and memoir, this volume offers a new way of thinking about white racism through Shores’s conclusion that Earline’s earliest childhood experiences determined her worldview. Set against a fully drawn background of geography and culture a...
Exploring the history of the American preservation movement, this book features a collection of essays by leading scholars, historians, and attorneys who discuss the role of federal, state, and local government; ethnicity; archaeology; and the private sector.
From the colonial period onward, black artisans in southern cities--thousands of free and enslaved carpenters, coopers, dressmakers, blacksmiths, saddlers, shoemakers, bricklayers, shipwrights, cabinetmakers, tailors, and others--played vital roles in their communities. Yet only a very few black craftspeople have gained popular and scholarly attention. Catherine W. Bishir remedies this oversight by offering an in-depth portrayal of urban African American artisans in the small but important port city of New Bern. In so doing, she highlights the community's often unrecognized importance in the history of nineteenth-century black life. Drawing upon myriad sources, Bishir brings to life men and women who employed their trade skills, sense of purpose, and community relationships to work for liberty and self-sufficiency, to establish and protect their families, and to assume leadership in churches and associations and in New Bern's dynamic political life during and after the Civil War. Focusing on their words and actions, Crafting Lives provides a new understanding of urban southern black artisans' unique place in the larger picture of American artisan identity.