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The Festschrift celebrates Franz-Karl Ehrhard, Professor of Tibetan and Buddhist Studies at the Ludwig Maximilian University of Munich from 2003 to 2019. Offered on the occasion of his 65th birthday, it comprises 26 papers by friends and colleagues to honour his outstanding and far-reaching contributions to the field of Tibetan Studies. Mirroring Franz-Karl Ehrhard's research interests, the papers centre on the religious and literary traditions of Tibet and the Himalayas, including sacred geography, religious history, philosophy, and studies in textual production and transmission.
Using firsthand accounts gleaned from notebooks, interviews, and correspondence of such twentieth-century scientists as Einstein, Fermi, and Millikan, Holton shows how the idea of the scientific imagination has practical implications for the history and philosophy of science and the larger understanding of the place of science in our culture.
Suniti Kumar Pathak, b. 1924, Indian indologist; contributed articles.
The Tibetan district of Tsari with its sacred snow-covered peak of Pure Crystal Mountain has long been a place of symbolic and ritual significance for Tibetan peoples. In this book, Toni Huber provides the first thorough study of a major Tibetan Buddhist pilgrimage center and cult mountain, and explores the esoteric and popular traditions of ritual there. The main focus is on the period of the 1940s and '50s, just prior to the 1959 Lhasa uprising and subsequent Tibetan diaspora into South Asia. Huber's work thus documents Tibetan life patterns and cultural traditions which have largely disappeared with the advent of Chinese colonial modernity in Tibet. In addition to the work's documentary content, Huber offers discussion and analysis of the construction and meaning of Tibetan cultural categories of space, place, and person, and the practice of ritual and organization of traditional society in relation to them.
This book is a lucid account of thangka painting. A form of scroll painting integral to Tibetan Buddhist worship. It introduces readers to the irirdescence of colours representing the archetypal Buddhist images of good and evil. It features thangkas from renowned collections the world over.
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These heavily illustrated, fact-filled, pocket-size books make excellent supplements to a main textbook for students taking college-101 humanities courses. This book surveys Buddhism's origins, circa 500 B.C. in India, and follows the religion's spread through much of Asia in the centuries that followed. A biographical sketch traces the life and thinking of the Indian prince who founded this religion, Gautama Buddha. The most important Buddhist doctrines are briefly reviewed -- the early doctrine of life as suffering, Hinayana or the Little Crossing, Mahayana or the Big Crossing, and Tantrayana or the Mystic Crossing. Readers also review the variations of Buddhism as it is practiced in China, Japan, Tibet, and most recently in some Western communities.
She kills and destroys. She causes illness and disaster. The wild goddess evokes fear and terror. People worship her with blood-sacrifices and alcohol in order to appease her rage, but also in order to participate in her power for she is at once a force of destruction and a force of regeneration, of life, and of sexuality. Her creative violence reflects the ambivalent power of nature. The idea of frightening goddesses is preserved in regionally different forms throughout South Asia. The Institute for the Science of Religions, University of Berne, and the Museum of Anthropology of the University of Zurich, coordinated a symposium on wild goddesses in India and Nepal. The papers and reports on ongoing research presented at this symposium are published in this volume.