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It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, i.e. manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as ‘memorial depictions’ (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.
A radical shift took place in medieval Europe that still shapes contemporary intellectual life: freeing themselves from the fixed beliefs of the past, scholars began to determine and pursue their own avenues of academic inquiry. In Knowledge True and Useful, Frank Rexroth shows how, beginning in the 1070s, a new kind of knowledge arose in Latin Europe that for the first time could be deemed "scientific." In the twelfth century, when Peter Abelard proclaimed the primacy of reason in all areas of inquiry (and started an affair with his pupil Heloise), it was a scandal. But he was not the only one who wanted to devote his life to this new enterprise of "scholastic" knowledge. Rexroth explores h...
This volume examines mutual ethnic and national perceptions and stereotypes in the Middle Ages by analysing a range of historical sources, with a particular focus on the mutual history of Germany and Poland.
In tenth-century Europe and particularly in Germany, imperial women were able to wield power in ways that were scarcely imaginable in earlier centuries. Theophanu and Adelheid were two of the most influential figures in the Ottonian reich along with their husbands, who relied heavily on their support. Phyllis G. Jestice examines an array of factors that produced their power and prestige, including societal attitudes toward women, their wealth, their unction as queens, and their carefully constructed image of piety. Due to their influential positions, Theophanu and Adelheid reclaimed control of the young Otto III despite fierce opposition from Henry the Quarrelsome during the throne struggle of 984. In examining how they successfully secured the regency, this book confronts the outmoded notion of exceptionalism and illuminates the lives of powerful Ottonian women.
The first broad-ranging social history in English of the medieval secular clergy.
The history of medieval Germany is still rarely studied in the English-speaking world. This collection of essays by distinguished German historians examines one of most important themes of German medieval history, the development of the local principalities. These became the dominant governmental institutions of the late medieval Reich, whose nominal monarchs needed to work with the princes if they were to possess any effective authority. Previous scholarship in English has tended to look at medieval Germany primarily in terms of the struggles and eventual decline of monarchical authority during the Salian and Staufen eras – in other words, at the "failure" of a centralised monarchy. Today...
The vast majority of studies on rulership in medieval Europe focus on one kingdom; one type of rule; or one type of ruler. This volume attempts to break that mold and demonstrate the breadth of medieval Europe and the various kinds of rulership within it. How Medieval Europe was Ruled aims to demonstrate the multiplicity of types of rulers and polities that existed in medieval Europe. The contributors discuss not just kings or queens, but countesses, dukes, and town leadership. We see that rulers worked collaboratively with one another both across political boundaries and within their own borders in ways that are not evident in most current studies of kingship, inhibited by too narrow a focu...
‘Nationalism’ may be a modern phenomenon, but national identities are not. The medieval and early modern Low Countries are a case in point. In this myriad of political and clerical territories, identities proved dynamic. Princes and rebels, soldiers and poets, all played a part in the shaping of new imagined communities. The essays in this volume show how regional and interregional identities developed, old ones survived, and novel ones came into being. They offer a fascinating insight into the continuities and discontinuities in the formation of (national) identities in the Low Countries and its neighbouring countries – and are an important contribution to the ongoing debates about national and other identities.
In this book, Conrad Rudolph studies and reconstructs Hugh of St. Victor's forty-two-page written work, The Mystic Ark, which describes the medieval painting of the same name. In medieval written sources, works of art are not often referred to, let alone described in any detail. Almost completely ignored by art historians because of the immense difficulty of its text, Hugh of Saint Victor's Mystic Ark (c. 1125-1130) is among the most unusual sources we have for an understanding of medieval artistic culture. Depicting all time, all space, all matter, all human history, and all spiritual striving, this highly polemical painting deals with a series of cultural issues crucial in the education of society's elite during one of the great periods of intellectual change in Western history.