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Monet's Cathedral
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The Impressionist and the City : Pissarro's Series Paintings
In the final decade of his life, Camille Pissarro abandoned his experimentation with neo-Impressionist technique and developed new forms of pictorial expression that drew more on the Impressionism of his earlier career. During this period - from 1893 to 1903 - Pissarro besides continuing to explore the landscape genre that had been his main subject matter, also began to grapple with urban scenes, and his paintings of Paris, Rouen, and the busy ports of Dieppe and Le Havre became an important component of his artistic output. At this time, Pissarro, like Monet, started to work on canvases in series, often painting six or seven canvases simultaneously and discarding one temporarily when the li...
Pissarro
"Humble and colossal," as his friend Cezanne described him, Camille Pissarro is at once the most important and the least familiar of the leading Impressionist painters. As a mentor to that group, which he helped to convene, Pissarro was responsible for drafting the statutes of the artists' cooperative that launched the famous Impressionist exhibitions, which were the first to take art outside the academic confines of Paris' salon exhibitions; he was also the only painter to participate in all eight of those landmark shows, from 1874 to 1886, and was the first painter to develop and sustain the plein air practice for which the Impressionists are famed. This volume presents Pissarro as one of ...
קאמי פיסארו
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Pioneering Modern Painting
Catalog of an exhibition held at the Museum of Modern Art, June 26-Sept. 12, 2005, the Los Angeles County Museum of Art, Oct. 20, 2005-Jan. 16, 2006, and the Musée d'Orsay, Paris, Feb. 27-May 28, 2006.
The Impressionist and the City
"Examines the problematic serial nature of ... [Pissarro's] urban works"--Foreword.
Pissarro
This new catalogue of the paintings of Camille Pissarro, while drawing extensively on the 1939 edition published by his son, makes an innovative contribution to the understanding of the work of this great artist through the discovery of previously unpublished pictures and documents. Over a career that spanned the second half of the 19th century, Pissarro tested every pictorial experiment of his time, from Impressionism to Pointillism. His rich style reveals the gifts of a great colorist and of a master of light endowed with a striking sensitivity to nature. This exhaustive 3-volume catalogue, co-published with the Wildenstein Institute, features 1528 paintings--of which 213 have never been published or are little known--detailed commentaries with rigorous analyses of each work, a complete biography of the artist, illustrated with archival photographs, a bibliography and a complete list of exhibitions.
Cézanne/Pissarro, Johns/Rauschenberg
This book presents a comparative study of two pairs of collaborative artists who worked closely with one another. The first pair, Cézanne and Pissarro, contributed to the emergence of modern art. The second pair, Johns and Rauschenberg, contributed to the demise of modern art. In each case, the two artists entered into a rich and challenging artistic exchange and reaped enormous benefits from this interaction. Joachim Pissarro's comparative study suggests that these interactive dialogues were of great significance for each artist as well.
Monet and the Mediterranean
Presents the paintings Monet executed on the Italian and French Rivieras in 1884 and 1888
Van Gogh and the Colors of the Night
Co-published by Museum of Modern Art and the Van Gogh Museum in conjunction with the first exhibition to focus on Vincent van Gogh's depictions of nocturnal and twilight scenes, Van Gogh and the Colors of the Night examines the artist's night landscapes, interior scenes, and representations of the effects of both gaslight and natural light on their surroundings. It features over one hundred illustrations, including details of Van Gogh's iconic paintings and works by other artist important to the development of his style.
