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Winckelmann's Images from the Ancient World
Assembled by the father of modern art history, this landmark 1767 publication features more than 200 fine engravings. Its fascinating panorama of images from classical civilizations includes informative text and captions.
Johann Joachim Winckelmann on Art, Architecture, and Archaeology
Modern English translations of several of the most important essays of Winckelmann, one of the fathers of art history and archaeology and a strong influence on Goethe and Schiller and Weimar Classicism. Johann Joachim Winckelmann (1717-68) has long been recognized as one of the founders of modern art history and a major force in the development of archaeology and the study of ancient Greek architecture. He also exerted an influence on the Weimar Classicism of Goethe and Schiller, for whom his description of Greek sculpture as evoking "edle Einfalt und stille Grösse" (noble simplicity and a calm greatness) became a watchword. He contributed to modern scientific archaeology through his applic...
Archaeologists
Including eccentric professors and adventuring fortune hunters of old and highly trained scientists of today, Archaeologists collects together biographies of more than 30 archaeologists of the past two centuries. In the process, Archaeologists presents an engaging portrait of how digging for treasure evolved into the respected and vital science we know today. Some of the archaeologists profiled include: * Giovanni Belzoni, the 19th-century archaeologist who brought the head of Ramesses II back to England * Heinrich Schliemann, the modern discoverer of prehistoric Greece whose excavations included Mycenae and the ancient city of Troy * Howard Carter, who discovered King Tut's tomb * Mary and Louis Leakey, whose discovery of humanoid fossils placed human evolution's beginning in Africa From the romance of golden pharaohs and lost civilizations to computers, tree ring dating, and numerous other scientific methods, Archaeologists is a fascinating look at the explorers of the human past.
Letter and Report on the Discoveries at Herculaneum
This new translation brings to light the early days of scientific archaeology and the unearthing and study of Herculaneum and Pompeii as observed by the erudite and acerbic art historian Johann Joachim Winckelmann (1717-1768). His Letter, published in German in 1762, displays his extensive knowledge of geology, ancient literature, and art while offering a scathing critique of the Spanish Bourbon excavations around the Bay of Naples and of the officials involved. He further discusses these topics in his equally controversial Report of 1764. The introduction describes the context in which these texts were written, identifies various politicians, academics, and collectors, and elucidates topics of particular interest to Winckelmann, from artifacts to local customs to the contents of ancient papyri. The illustrations, particularly those from the Bourbon publication--Le Antichità di Ercolano (1757-92)--illuminate how these monuments influenced contemporary perception of the ancient world.
The History Of Ancient Art; Volume 2
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Art and the Nazis, 1933-1945
This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.
A Companion to Ancient Aesthetics
The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society
