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Faschion Empire: Motel Universe 2
Return to Motel Universe! In the aftermath of revolution, and tycoon dictator Barton Flump's assassination, who will own the galaxy?
Motel Universe 3
You have reached the end of the Motel Universe. The Skins, a slave race once hunted for their pelts, have turned the tables on their masters, the Jeffs, making for the hottest reality show in Depression Land. Meanwhile, the Skins' home planet of Epidermis is ravaged by inflation, a Neuro drug epidemic, and an all-controlling hyperconglomerate, the Shackler Corporation. Sounds like another uprising may be in order! Motel Universe 3 is the final volume of a trilogy of graphic novels from Joakim Drescher, an artist Print Magazine says is "is carving a place for himself in the image world."
Eight-Lane Runaways
In this graphic novel, readers follow various characters' paths in a fantastical world of endless tracks. One runner relies on her poncho to give her direction. Another deals with a suddenly missing appendage. There are also algebra dogs, a juice institute, and a helpful network that consists of miles of string that proves that, no matter how far apart, the friends you can rely on are the ones you met while traversing life's twisty-turny trails. Cartoonist Henry McCausland’s flowing page layouts showcase his elaborate landscapes and thrilling kinetic energy, matching them with a laugh-out-loud, idiosyncratic sense of humor.
Now #10
As Now hits its landmark tenth issue, what better time to bring back the cover artist who launched the series? Painter and cartoonist Rebecca Morgan returns with one of her signature depictions of the underbelly of America. Meanwhile, the issue also features new work by a number of familiar names, such as Steven Weissman, Tim Lane, and Walt Holcombe. Young Frances creator Hartley Lin contributes his first piece to the magazine, as does Italian cartoonist Sylvia Rocchi and American cartoonist M.S. Harkness ― with a piece about competitive weightlifting during the Covid-19 pandemic! Along with other surprises, Now #10 includes one other special feature: a tribute to the late cartoonist Richard Sala (1954-2020), a cartoonist who built his long career contributing to various anthologies of the 1980s, including the legendary Raw magazine. We are pleased to present nine previously unpublished pages of comics by Sala, all created as an art student in the 1970s and presaging a prolific and brilliant oeuvre to come. Also: comics by Nick Thorburn, Jacob Weinstein, Joakim Drescher, and Julia Gfrörer.
Last Look
A true graphic milestone: the epic trilogy that began with X'ed Out, continued in The Hive, and concluded in Sugar Skull—now in one volume. The long strange trip of Doug in all its mind-bending, heartbreaking totality. The fragments of the past collide with the reality of the present, nightmarish dreams evolve into an even more dreadful reality, and when you finally find out where all of this has been going, and what it means . . . it will make you go right back to the first page and read it all again with new eyes. Just like Doug. (With full-color illustrations throughout)
Creativity in the Bronze Age
This book explores the nature of creativity in the European Bronze Age through developments in pottery, textiles, and metalwork.
Pop Music and Hip Ennui
In Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism, Macon Holt provides the imaginative and analytical resources to think with contemporary pop music to investigate the ambivalences of contemporary culture and the potentials in it for change. Drawing on Kodwo Eshun's practice of Sonic Fiction and Mark Fisher's analytical framework of capitalist realism, Holt explores the multiplicities contained in contemporary pop from sensation to abstraction and from the personal to the political. Pop Music and Hip Ennui unravels the assumptions embedded in the cultural and critical analysis of popular music. In doing so, it provides new ways to understand the experience of listening to pop music and living in the sonic atmosphere it produces. This book neither excuses pop's oppressive tendencies nor dismisses the pleasures of its sensations.
Motel Universe
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Maskerade Ögonblick
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