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Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio."--Jacket.
This book looks specifically and in depth, for the first time, at masculinity in cheap, lesbian-themed paperbacks of the two decades after WW2. It challenges established critical assumptions about the readership, and sets the masculinity imagined in these novels against the “masculinity crisis” of the era in which they were written. The key issue of these novels is couplehood as much as sexuality, and the instability of masculinity leads to the instability of the couple. Thompson coins the term “heteroemulative” to describe the struggle that both heterosexual and homosexual couples have in conforming to heteronormativity. As several of these novels have been republished and remain in print, they have taken on a new relevance to issues of sexuality and gender in the twentyfirst century, and this study will attract readers within that area of interest. A valuable read for sociologists studying gender roles, and social historians of the cold war period in the United States. It is suitable for readers of all academic levels, from undergraduate, through postgraduate, to scholars and researchers, but also for a general readership.
In Invasion On Stephen M. Rusiecki describes the process of how and why Americans developed a standing narrative of the World War II operation known as D-Day based upon a common, press-enabled, thematically framed narrative. This story of June 6, 1944 is the one which has endured for more than seven decades. How did this early, single narrative of the D-Day landings, hastily though deliberately constructed in real time by America's radio networks and newspapers, come together on 6 June 1944 to become the story of that event in the years and decades after World War II? This version is what has dominated the imaginations and consciousness of Americans ever since. Ultimately, Invasion On explai...