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An electrifying tale of psychological suspense and revenge at an elite boarding school where secrets run deep. "A dark world of emotional complexity and betrayal, where twist follows twist and nothing is what it seems."—Alex Michaelides, bestselling author of The Silent Patient "Exhilarating. Addictive. Fierce."—Bridget Collins, bestselling author of The Binding "A psychological thriller you can't put down and an antiheroine you won't forget."—Harlan Coben *** Now I'm in charge, the gates are my gates. The rules are my rules. It's an incendiary moment for St Oswald's school. For the first time in its history, a headmistress is in power, the gates opening to girls. Rebecca Buckfast has spilled blood to reach this position. Barely forty, she is just starting to reap the harvest of her ambition. As the new regime takes on the old guard, the ground shifts. And with it, the remains of a body are discovered. But Rebecca is here to make her mark. She'll bury the past so deep it will evade even her own memory, just like she has done before. After all... You can't keep a good woman down.
Audere, agere, auferre. To dare, to strive, to conquer. For generations, privileged young men have attended St. Oswald's Grammar School for Boys, groomed for success by the likes of Roy Straitley, the eccentric Classics teacher who has been a fixture there for more than thirty years. But this year the wind of unwelcome change is blowing. Suits, paperwork, and information technology are beginning to overshadow St. Oswald's tradition, and Straitley is finally, and reluctantly, contemplating retirement. He is joined this term by five new faculty members, including one who -- unbeknownst to Straitley and everyone else -- holds intimate and dangerous knowledge of St. Oswald's ways and secrets. Ha...
Originally published: Great Britain: Doubleday, 2016.
When the exotic stranger Vianne Rocher arrives in the old French village of Lansquenet and opens a chocolate boutique called “La Celeste Praline” directly across the square from the church, Father Reynaud identifies her as a serious danger to his flock. It is the beginning of Lent: the traditional season of self-denial. The priest says she’ll be out of business by Easter. To make matters worse, Vianne does not go to church and has a penchant for superstition. Like her mother, she can read Tarot cards. But she begins to win over customers with her smiles, her intuition for everyone’s favourites, and her delightful confections. Her shop provides a place, too, for secrets to be whispere...
After a years long absence, chocolatier Vianne Rocher returns to the village of Lansquenet in south-west France, to find that newcomers from North Africa have brought big changes to the community, and a minaret is now situated next to the church of Saint-Jerome, calling people to prayer.
A profound, powerful and moving collection of 100 letters from around the world responding to the climate crisis, introduced by Emma Thompson and lovingly illustrated by CILIP award winner Jackie Morris. ‘All power to this amazing project.’ JOANNE HARRIS ‘Makes sense of the climate crisis in a whole new way’ MAGID MAGID
"The toymaker who wants to create the perfect wife; the princess whose heart is won by words, not actions; the tiny dog whose confidence far outweighs his size; and the sinister Lacewing King who rules over the Silken Folk. These are just a few of the weird and wonderful creatures who populate Joanne Harris's first collection of fairy tales"--
Geography is a subject which throughout its history has been dominated by men; men have undertaken the heroic explorations which form the mythology of its foundation, men have written most of its texts and, as many feminist geographers have remarked, men's interests have structured what counts as legitimate geographical knowledge. This book offers a sustained examination of the masculinism of contemporary geographical discourses. Drawing on the work of feminist theories about the intersection of power, knowledge and subjectivity, different aspects of the discipline's masculinism are discussed in a series of essays which bring influential approaches in recent geography together with feminist accounts of the space of the everyday, the notion of a sense of place and views of landscape. In the final chapter, the spatial imagery of a variety of feminists is examined in order to argue that the geographical imagination implicit in feminist discussions of the politics of location is one example of a geography which does not deny difference in the name of a universal masculinity.
Beyond The Main Street Of Les Laveuses Runs The Loire, Smooth And Brown As A Sunning Snake - But Hiding A Deadly Undertow Beneath Its Moving Surface. This Is Where Framboise, A Secretive Widow Named After A Raspberry Liqueur, Plies Her Culinary Trade At The Crêperie - And Lets Memory Play Strange Games.Into This World Comes The Threat Of Revelation As Framboise S Nephew A Profiteering Parisian Attempts To Exploit The Growing Success Of The Country Recipes She Has Inherited From Her Mother, A Woman Remembered With Contempt By The Villagers Of Les Laveuses. As The Spilt Blood Of A Tragic Wartime Childhood Flows Again, Exposure Beckons For Framboise, The Widow With An Invented Past.Joanne Harris Has Looked Behind The Drawn Shutters Of Occupied France To Illuminate The Pain, Delight And Loss Of A Life Changed For Ever By The Uncertainties And Betrayals Of War.
THE NEW YORK TIMES BESTSELLER THE INSPIRATION FOR THE FEATURE FILM THE UNITED STATES VS. BILLIE HOLIDAY 'Screamingly addictive' STEPHEN FRY 'Superb ... Thrilling story-telling' NAOMI KLEIN 'A powerful contribution to an urgent debate' GUARDIAN What if everything we've been told about addiction is wrong? One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realised there was addiction in his family. Confused, he set out on a three-year, thirty-thousand mile journey to discover what really causes addiction – and how to solve it. Told through a series of gripping human stories, this book was the basis of a TED talk and animation that have been viewed more than twenty million times. It has transformed the global debate about addiction.