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The Guises of Canadian Diversity / Les masques de la diversité canadienne
The essays collected here illustrate aspects of recent research conducted by graduate students in Canadian studies at various European universities. The methodological diversity displayed points to the very essence of the culture the contributors explore - what has been commonly termed the Canadian mosaic or, more recently, the Canadian kaleidoscope (Janice Kulyk-Keefer). In analysing the many facets of this mosaic, the numerous images of this kaleidoscope, the contributors offer fresh and youthful reappraisals of traditional visions of Canadianness.
Making Wishes
The heartfelt story of a wife and mother who secretly yearns for her artistic work. When she is offered the career opportunity of a lifetime, she must choose between her devotion to her sons and her love for her work. Her decision brings dramatic life changes to her and the people she loves.
A Performance Cosmology
Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics. Contributors include: Philip Auslander, Rustom Bharucha, Tim Etchells, Jane Goodall, Guillermo Gomez-Pena, Jon Mckenzie, Claire MacDonald, Susan Melrose, Alphonso Lingis, Richard Schechner, Rebecca Schneider, Edward Scheer, and Freddie Rokem. A Performance Cosmology is structured as a travelogue through a matrix of strategic, imaginary, interdisciplinary field stations. This innovative framework enables readings which disrupt linearity and afford different forms of thematic engagement. The resulting volume opens entirely new vistas on the old, new, and as yet unimagined, worlds of performance.
The Brevard Rosenwald School
A century ago, the Brevard Rosenwald School in Transylvania County, North Carolina, opened its doors to African American students from the community and the surrounding area. It was a microcosm of the community it served; teachers and pupils lived on the same streets, shopped in the same stores, worshiped at the same churches, and teachers and parents served on the same committees, confronted similar social and economic problems, and sought each other's advice about issues in daily life. This book is a history of the school, with special attention given to the years 1920 to 1966, and its attempts to improve the education of African Americans in the South. It also focuses on the school's beginnings, development, significance to the community, closing, and the integration process and the Rosenwald community today. The author also presents narratives from former students about their experiences and educational goals, pursuits and accomplishments at the school and later in their lives.
A Different Voice, a Different Song
Caroline Bithell explores the history and significance of the natural voice movement and its culture of open-access community choirs, weekend workshops, and summer camps. Founded on the premise that 'everyone can sing', the movement is distinguished from other choral movements by its emphasis on oral transmission and its eclectic repertoire of songs from across the globe.
I Smell with My Nose
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The Index Library
For list of publications see covers, pt. 28/30, April/June, 1890, p. x; pt. 82, December 1900, p. iii-iv.
A Different Point of View
Misao Dean argues convincingly that Duncan's "point of view" was largely informed by nineteenth-century Canadian idealism. Making excellent use of the latest insights of feminist criticism and post-colonial literary theory, Dean explores the "double marginalisation" of Duncan as both a colonial and a woman. She establishes gender as an important element in the form and content of Duncan's novels and feminism as a significant influence on Duncan's point of view.
