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Joan Mitchell
A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925–1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositi...
The Paintings of Joan Mitchell
This exquisitely illustrated volume and the exhibition that it accompanies restore Joan Mitchell to her rightful place in the history of American artists--one of the few women among the first-rank Abstract Expressionist painters. 145 illustrations, 85 in color.
Joan Mitchell 1992
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Joan Mitchell
"Lots of painters are obsessed with inventing something," American painter Joan Mitchell (1925-92) said in 1986. "When I was young, it never occurred to me to invent. All I wanted to do was paint." Throughout her life Mitchell remained committed to totally autonomous abstract painting, always driven by this fundamental love for the craft and technique of painting. In a career spanning more than four decades, Mitchell's painting style married the dynamic gesture of the Abstract Expressionists, her generational peers, to a keen sensitivity to natural phenomena such as light and water. Characterized by an intense color palette and fresh gestural energy, often applied on a very large scale, Mitc...
Joan Mitchell
Between the mid-1950s and the early '60s, the paintings of Joan Mitchell (1925-92) grew exponentially in sophistication and strength. In the summer of 1953 she began to paint outdoors in the Hamptons, developing an engagement with nature, but with a crucial distinction from her male counterparts in the abstract expressionist movement. As the late curator and writer Klaus Kertess wrote, "Pollock's [...] 'I am nature' is very different from Mitchell's being with nature in memory. Pollock is more a shaman, Mitchell more a lover. But both share with van Gogh a high tuned, visceral sensitivity to movement. And both share the quality that [Frank] O'Hara so aptly attributed to Pollock's paintings: 'lyrical desperation.'" This book looks at this period, in which Mitchell began to travel regularly between Paris and New York, and received her first major solo shows in the US and in France.
Women of Abstract Expressionism
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Joan Mitchell: I carry my landscapes around with me
I carry my landscapes around with me focuses on American abstract artist Joan Mitchell’s large-scale multipanel works from the 1960s through the 1990s. Mitchell’s exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes. Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that...
Joan Mitchell
Joan Mitchell (1926-1992) was a pre-eminent painter of the Abstract Expressionist generation, and, along with Lee Krasner and Helen Frankenthaler, one of the few female painters of her era to gain critical and public acclaim. She came to attention in the early 1950s but only recently has her work won the recognition it truly merits. Her large-scale gestural paintings register a great acuity of feeling and tremendous vitality. Leaving America documents Joan Mitchell's exhibition at Hauser and Wirth Gallery, London, which featured works made between 1960 and 1965, after she had relocated from New York to France. In the paintings of this period Mitchell moved away from the all-over style and bright palette of earlier compositions, instead deploying more sombre hues and dense central masses of color. The brushwork in these paintings is nonetheless full of zest, the paint flung and squeezed on to the canvases, spilling and spluttering across surfaces and smeared on by hand.
Joan Mitchell
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Ninth Street Women
Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee ...
