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Europe and the Making of Modernity, 1815-1914
The authors chronicle the political, economic, and social changes that revolutionised Europe during the long 19th century. From the Congress of Vienna through the assassination of Archduke Franz Ferdinand at Sarajevo, the narrative takes students throughthe complex events of the century in a clear and cogent way.
Imitations of Life
DIVUses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture--in particular, the uses to which popular culture was put in the Soviet period./div
Consuming Russia
A timely study of the "new Russia" at the end of the twentieth century.
Stalin's Master Narrative
A critical edition of the text that defined communist party ideology in Stalin's Soviet Union The Short Course on the History of the Communist Party of the Soviet Union (Bolsheviks) defined Stalinist ideology both at home and abroad. It was quite literally the the master narrative of the USSR--a hegemonic statement on history, politics, and Marxism-Leninism that scripted Soviet society for a generation. This study exposes the enormous role that Stalin played in the development of this all-important text, as well as the unparalleled influence that he wielded over the Soviet historical imagination.
A Suitable Amount of Crime
A Suitable Amount of Crime looks at the great variations between countries over what are considered 'unwanted acts', how many are constructed as criminal and how many are punished.
Aleksandr Rodchenko
Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet Union Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova revises the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956) was a highly versatile Russian artist and one of Constructivism's founders. His photographic work between 1928, when Stalin rose to power, and the late 1930s reveals a wide-ranging search for a different pictorial language in the context of the extreme tran...
Russian Law Journal
The “Russian Law Journal” (RLJ) magazine is one of the first English-language legal academic editions regularly published in Russia. It is an All-Russian interuniversity platform designed to promote Russian legal researches abroad. The magazine is meant for both Russian and foreign readers including major world legal libraries, academics and practicing lawyers. International editorial board and editorial team are represented by professors from leading world centers of legal education and legal science, like Harvard, Yale, Cambridge and La Sorbonne, as well as by scientists from Russian law schools (Moscow State University, Kutafin Moscow State Law University, Saint-Petersburg State University, Higher School of Economics).
Ivan the Terrible in Russian Historical Memory since 1991
Tsar Ivan the Terrible (Ivan IV, 1533-1584) is one of the most controversial rulers in Russian history, infamous for his cruelty. He was the first Russian ruler to use mass terror as a political instrument, and the only Russian ruler to do so before Stalin. Comparisons of Ivan to Stalin only exacerbated the politicization of his image. Russians have never agreed on his role in Russian history, but his reign is too important to ignore. Since the abolition of censorship in 1991 professional historians and amateurs have grappled with this problem. Some authors have manipulated that image to serve political and cultural agendas. This book explores Russia’s contradictory historical memory of Ivan in scholarly, pedagogical and political publications.
Russian Law Journal
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Queer(ing) Russian Art
While the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art.
