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Joan R. Sherman Correspondence Relating to Frank Barbour Coffin
Correspondence of Joan R. Sherman with the Arkansas History Commission relating to Arkansas African American poet Frank Barbour Coffin.
The Black Bard of North Carolina
For his humanistic religious verse, his poignant and deeply personal antislavery poems, and, above all, his lifelong enthusiasm for liberty, nature, and the art of poetry, George Moses Horton merits a place of distinction among nineteenth-century African American poets. Enslaved from birth until the close of the Civil War, the self-taught Horton was the first American slave to protest his bondage in published verse and the first black man to publish a book in the South. As a man and as a poet, his achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Horton's poems. Her comprehensive introduction--combining biography, history, cultural commentary, and critical insight--presents a compelling and detailed picture of this remarkable man's life and art. George Moses Horton (ca. 1797-1883) was born in Northampton County, North Carolina. A slave for sixty-eight years, Horton spent much of his life on a farm near Chapel Hill, and in time he fostered a deep connection with the University of North Carolina at Chapel Hill. The author of three books of poetry, Horton was inducted into the North Carolina Literary Hall of Fame in May of 1996.
African-American Poetry of the Nineteenth Century
Afro-Americans of the nineteenth century are the invisible poets of our national literature. This anthology brings together 171 poems by 35 poets, from the best known to the unknown, in one volume.
Collected Black Women's Poetry: Volume 4
These four volumes collect the works of eleven poets writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert--Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just after the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining eight poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that, until now, have gone largely unheard.
Invisible Poets
Invisible Poets: Afro-Americans of the Nineteenth Century brings into view over 130 other Black men and women who published poetry in America during the century between Phillis Wheatley and Paul Laurence Dunbar. In spite of their impressive achievements, these poets' works have been out of print, their few biographies incomplete and unreliable, and criticism of their poetry rare and often biased. The author, Joan R. Sherman, was ahead of her time in seeking "to strip myth and misinformation from their lives and to offer the most accurate biographies and bibliographies obtainable after a century of neglect." In the only comprehensive and realistic appraisal of their contributions to American ...
Collected Black Women's Poetry: Volume 1
These four volumes collect the poetic works of eleven African-American women writing in the nineteenth and early twentieth centuries. Volume 1 presents two collections by Mary E. Tucker Lambert-- Loew's Bridge, A Broadway Idyl, a poet's-eye view of lower Manhattan just fter the Civil War, and Poems--and Infelicia, a dramatic work by the notorious Adah Isaacs Menken. Volumes 2, 3, and 4 contain works by nine other poets, all of which were were published between 1895 and 1910, a particularly brutal era for blacks. But, surprisingly, only one of these women (Lizelia Moorer) protests the treatment of her race during this period of social upheaval and injustice. The remaining poets all conformed to the ethos of most black writers of the time, "whitewashing" their art while educating and uplifting their people. Their themes are traditional--love, nature, death, Christian idealism and morality, and family--and are for the most part couched in conventional forms and language. As interesting for the subjects that they address as for those that they ignore, these selections offer a unique smapling of poetic voices that, until now, have gone largely unheard.
INVISIBLE POETS
"Invisible Poets: Afro-Americans of the Nineteenth Century brings into view over 130 other Black men and women who published poetry in America during the century between Phillis Wheatley and Paul Laurence Dunbar. In spite of their impressive achievements, these poets' works have been out of print, their few biographies incomplete and unreliable, and criticism of their poetry rare and often biased. The author, Joan R. Sherman, was ahead of her time in seeking "to strip myth and misinformation from their lives and to offer the most accurate biographies and bibliographies obtainable after a century of neglect." In the only comprehensive and realistic appraisal of their contributions to American...
Collected Black Women's Poetry: Volume 3
These volumes present the works of eleven poets writing in the 19th and early 20th centuries. Volume 1 contains work by Mary E. Tucker Lambert and the notorious Adah Isaacs Menken. The other three volumes contain works by nine other poets. Surprisingly, only one of them (Lizelia Moorer) protests at the treatment of her race during this period of social upheaval and injustice. The other poets treat the traditional themes - love, nature, death, Christian idealism and morality, family - in conventional forms and language. As interesting for the themes that they address as for those that they ignore, these selections offer a unique sampling of poetic voices that until now have gone largely unheard.
