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The Public Woman
Women have never had more freedom yet questions of inequality persist from the bedroom to the workplace. A quarter of a century after the publication of her seminal text Misogynies, Joan Smith looks at what women have achieved - and the price they've paid for it. From Amy Winehouse to Pussy Riot, from the veil to domestic violence, a war is being fought over women's bodies and minds. Smith shows how misogyny has assumed new and dangerous forms as we confront an economic, social and religious backlash. But that's only part of the story. The female eunuch has become the public woman, and she isn't going to go quietly. Written with wit and passion, this forensic analysis sets out what we're up ...
Misogynies
Misogynies is one of the most celebrated feminist texts by a British author. First published in 1989, it created shock waves with its analyses of history, literature and popular culture. Joan Smith drew on her own experience as one of the few women reporting the Yorkshire Ripper murders and looked at novels, slasher movies, Page Three and Princess Diana, teasing out the attitudes that brought them together.
Don't Leave Me This Way
Loretta Lawson is not overjoyed when an old acquaintance, Sandra, turns up knocking on Loretta's doorstep on Christmas Eve. After a week of wrecking havock on Loretta's content, quiet life, Sandra suddenly disappears. Loretta's relief turns to suspicion when she finds out that Sandra died in a mysterious car crash. As Loretta investigates further, she finds herself dragged into Sandra's messy life and death. The BBC adaptation of Don't Leave Me This Way stars Imelda Staunton and Bill Nighy. 'Don't Leave Me This Way is the third clever mystery by Joan Smith...a nicely crafted novel with a decidedly feminist twist.' - The Globe and Mail
Home Grown
What do the attacks in London Bridge, Manchester and Westminster have in common with those at the Charlie Hebdo offices, the Finsbury Park Mosque attack and multiple US shootings? They were all carried out by men with histories of domestic violence. 'Revelation' Sunday Times: Best Book of 2019 'Achieves the rare feat of saying something new' John Bew 'Powerfully written' The Times TERRORISM BEGINS AT HOME. Terrorism is seen as a special category of crime that has blinded us to the obvious - that it is, almost always, male violence. The extraordinary link between so many tragic recent attacks is that the perpetrators have practised in private before their public outbursts. In these searing ca...
What Men Say
When a woman's decomposed body is found in the aging barn of Oxford don Bridget Bennett's estate, Loretta knows her friend Bridget's shock is genuine. Unfortunately, the local constabulary are not so sure. And the tabloid press has a field day. But when the police try to identify the dead woman and any possible connection to Bridget and her devoted husband, only Bridget seems alarmed at what might surface. Loretta tries to piece the puzzle together herself-with little success. Until a police blunder illuminates a dire suspicion she had all along.... "Here is crime fiction displaying its flexibility: working on disparate levels and contriving to be at once mysterious, entertaining and stimulating." - The Guardian
A Masculine Ending
Loretta Lawson, a feminist professor visiting Paris to deliver a paper on the oppressive nature of masculine grammatical forms, stumbles across the murder of an Oxford don. But when the body disappears, she returns to England without alerting the French police, but is resolved to solve the mystery from across the Channel. The BBC adaptation of A Masculine Ending, starring Bill Nighy and Imelda Staunton, premiered in 1992. 'I love Loretta' - P.D. James 'Ms. Smith is a literate writer who, in this accomplished novel, manages both to educate and to entertain, which is no mean achievement.' - The New York Times
Love's Way
Chloe Barwick manages the rundown family estate while her brother Edward plays poet. Her neighbors Lord Carnforth and his daughter Emily seem to be struggling, too, until a wealthy nephew, Jack Gamble, comes home from India. Chloe is suspicious of Jack lending money to her brother, and of Jack’s “engagement” to Emily, who is in love with Edward. And Captain Wingdale is ruining their village… Regency Romance by Joan Smith; originally published by Fawcett Crest
Down With the Royals
When Prince George was just eight weeks old, the Evening Standard declared him to be 'the most influential person in London'. He couldn't even walk, let alone talk. Yet one day he could become head of state, whether we like it or not. Joan Smith argues that it has become nearly impossible to question the existence of the monarchy. Articulate republicans are drowned out while the supercharged PR and media machines ask only who designed Kate's dresses. Smith topples the arguments for having a monarchy, one by one. The royals don't provide a boost for tourism, and their deliberately opaque accounting conceals the truth about the huge burden they place on the public purse. And she exposes darker truths. These symbols of so-called impartiality have hidden power and influence. Not only does Charles regularly lobby government ministers but - far from the sycophantic reporting of Kate's baby bump - the royals have dined with despots with blood on their hands. Are these people really fi t to be the public face of a modern country? Ultimately, Smith declares that the monarchy - undemocratic, unaccountable and shockingly expensive - has no place in modern Britain.
Lovers' Vows
Holly McCormack had no beauty but combined a beautiful voice with a witty tongue and a sensible approach to life. She lived with her aunt and beautiful cousin Jane near the Abbey, Lord Dewar’s home. He announced he would produce Romeo and Juliet, with Jane to star. Holly found herself immersed with costumes, nagging Dewar to accomplish things for the neighborhood, and falling in love. Regency Romance by Joan Smith; originally published by Fawcett Coventry
What Will Survive
July 1997: Lebanon makes the British headlines when an Englishwoman dies in a landmine explosion near the town of Nabatiyeh. The dead woman is Aisha, a former model with an Egyptian mother, visiting the Middle East for the first time. Reporters descend on her Somerset home, linking her death with Princess Diana's high profile campaign for a ban on landmines. Amanda, a young features writer, is sent to Beirut to write a human interest story about Aisha's death. There she finds a city only just recovering from more than a decade of civil war. Lebanon is still occupied by Israel in the south, prompting a bloody conflict with Hezbollah, and she realises that thousands of ordinary Lebanese are trapped between two ruthless enemies. She begins to suspect that Aisha may have been another victim of this forgotten war. But with a wayward princess and a charismatic new prime minister making headlines at home, how can she make sure that justice is done for Aisha - and for Lebanon?
